Sunday 7 March, 19:00

Laboratorium Pieśni — SEPTEM

Booking Required

Laboratorium Pieśni invites listeners into a luminous world of global polyphony, presenting original arrangements of Slavic, Balkan and Baltic songs alongside new compositions from their creative laboratory. Seven women — Alina Jurczyszyn, Kamila Bigus, Lila Bosowska, Iwona Bajger, Magda Jurczyszyn-Turło, Alina Klebba and Karolina Stawiszyńska-Wiatrow — weave a cappella and instrumentally accompanied textures (drums, shruti box, flutes, chimes) into intimate soundscapes. An exploration of voice, improvisation and nature, SEPTEM traces cycles of creation, intuition and collective harmony.

Rue de la Rôtisserie 10,
1204 Genève

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Photo Credit: DR

29 June – 5 July

Geneva International String Academy

Performances

Société de lecture

The Geneva International String Academy presents an exceptional series of concerts celebrating the artistry of emerging musicians and internationally renowned performers through a rich programme of chamber music, recitals, and masterclasses. Bringing together talented young violinists, violists, and cellists from around the world, the Academy creates a unique environment where education and performance meet, fostering artistic exchange, excellence, and creativity. Set in some of Geneva’s most inspiring cultural venues, these concerts offer audiences an intimate and vibrant musical experience while highlighting the next generation of classical talent alongside distinguished guest artists and professors.

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Monday 29 June, 21:00

Arooj Aftab

Performances

Scène Ella Fitzgerald

Arooj Aftab stands out as one of the most singular voices in today’s music scene. She blends jazz, minimalism, South Asian traditions and avant-pop to create an intimate, audacious and deeply felt repertoire. Her breakthrough album Vulture Prince earned a Grammy and drew international recognition, leading to collaborations with renowned ensembles and performances on major stages. Her music unfolds through sparse, luminous arrangements that emphasize voice, silence and emotional nuance.

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23 June – 4 July

Ah ! Une brève histoire du cri primordial

Performances

Théâtricul

But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.

They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”

In French.

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30 June – 5 July

Village des Cultures

Performances

Multiple locations

Village des Cultures offers a cycle of adult workshops organized by ADEM and eMa, focusing on world music, voice and dance practices. Participants explore circle songs, cantos de trabajo, body percussion and diverse dance forms—sabar and flamenco—through practical sessions led by artists and pedagogues including Marine Pelletrau-Duris, Rebecca Roger Cruz, Roberto Castillo, Khady Sarr, Mbar Ndiaye and Felipe Clivio. The programme emphasizes technique, cultural context and collective improvisation to develop expressive and rhythmic skills.

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1 – 12 July

One Thing After Another

Performances

Théâtre de l'Orangerie

Join a playful builder who improvises a strange home in a garden. With brave, clever ropes and found objects she moves from one idea to the next, sometimes wild, sometimes stubborn, slowly assembling a surprising structure. Children will watch materials cooperate or resist, feel the rhythm of making, and wonder whether everything will collapse or turn into accidental genius. A lively, physical performance that celebrates imagination, trial and joyful experimentation.

In French. Ages 6 and up.

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Wednesday 1 July, 21:00

Orchestre de la Suisse Romande

Performances

Scène Ella Fitzgerald

Conducted by Zofia Kiniorska, the Orchestre de la Suisse Romande unfolds a richly coloured soundscape across four 20th-century works from the Russian, French and Swiss repertoire. Prokofiev’s Classical Symphony playfully upends 18th-century conventions, combining wit with razor‑sharp energy. Frank Martin’s Concerto for Seven Wind Instruments offers lucid, finely balanced polyphony where instrumental lines converse with clarity. Ravel’s writing turns more sensual in Le Tombeau de Couperin before the virtuosic brilliance of Tzigane closes the programme in a whirlwind of raw energy.

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Laboratorium Pieśni — SEPTEM