After 463 performances of his first show, available on YouTube, Jason Brokerss — one of the sharpest minds in stand-up comedy today — is back on stage. “If I had seen this poster and this new show 10 years ago… I would have said, ‘Who is this man? What kind of life is this?’ Apparently, that man is me, and that’s my life. I have to tell you about it!”
In French.
Double Jeu is a sharp, playful improvisation show built around strategy, split-second choices and mutual misdirection. Each performer receives a secret mission and must weave it discreetly into the action, turning every scene into a live game of influence, bluff and comic escalation. The result is fast, unpredictable theatre where the ensemble’s timing, listening and inventiveness keep the audience guessing until the very last exchange.
In French.
Directed by Gilles Guénat and written by Roxane Gray, The Wall is a dance-theatre piece that immerses audiences in a musical and choreographic tapestry around the history of the Berlin Wall. Choreographies by Fabrice Martin, Sabine Gross-Collé, Gilles Guénat and Anthony Despras shape a fluid dialogue between a woman and a man, where the personal and the political intertwine. A company of around ten artists navigates intimate gestures and collective movements, evoking memory, rupture and resilient lyricism.
Led by pianist and singer Dennis Watson, the Dr. Watson Band revisits blues and rock through soulful vocals and piano-driven arrangements. The quartet — Dennis Watson (piano, vocals), Alain Niederhauser (guitar, vocals), Luc Schuwey (bass) and Pascal Jean (drums) — blends originals from the album “Welcome to the World” with covers by Freddie King, Muddy Waters, the Allman Brothers and Jimi Hendrix. Sharing the bill, The Lawdy Mamas — four Geneva-based women — channel raw Southern blues and 1970s rock, delivering high-energy, road-worn guitar-driven performances.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.
In French.
Guihome returns with a finely observed one‑man show that traces the passage from childhood to adulthood through a gallery of new characters and a naturalistic staging. The performance blends candid humour, tenderness and sharp, observational monologue as it follows first moves, first marriage and a first funeral. The staging favours realism and intimate storytelling, creating a warm, reflective atmosphere sustained across nearly two hours.
In French.
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