Four prominent members of the Geneva Magic Club present expertise in illusion, sleight of hand and mentalism, drawing on performance practice and historical knowledge.
The lecture examines continuities and transformations in stage magic from the early twentieth century to today, exploring how so-called ‘white magic’ entered the performing arts and how illusionists negotiate the term’s ambiguities. Live demonstrations illuminate techniques and thematic shifts within the discipline.
In French.
Through mystery, belief and wonder, magic has threaded through societies since ancient times. For its 11th edition, this festival explores shifting boundaries between science and the supernatural, reason and the marvelous. Lectures, screenings, guided visits and hands-on workshops invite everyone to discover the history of magical practices from past to present and to reflect on our ongoing fascination with the unknown and the afterlife.
Judith Roche is a PhD candidate at the Institute of the History of the Reformation, specialising in late sixteenth-century religious history. Her Master’s thesis studied confessional controversies through the cooking-pot motif.
The lecture examines how polemical works used the cooking pot as a charged symbol—ranging from infernal instrument to emblem of communal difference—to fuel Manichaean narratives and exacerbate Catholic–Protestant tensions. Roche explores the visual and rhetorical strategies that shaped confessional identities in sixteenth-century France.
In French.
Fernand Salzmann leads a lecture exploring whether the Bible contains erotic magic formulas — spells used to bring a desired partner to one’s bed. Starting from the Song of Songs, a provocative short book of the Old Testament, the talk delves into ancient love magic and its social and religious contexts. Salzmann examines rituals, textual traces and the role of supernatural powers in desires and disappointments, offering historical and interpretive perspectives.
In French.
Week of events in Geneva bringing people together to confront racism through talks, roundtables, screenings, theatre, workshops, marches and guided visits. Activities are designed for all community members and include performances, film screenings, literary encounters, a human library, youth workshops and participatory theatre. The programme encourages listening, dialogue and collective reflection, offering multiple ways for neighbours and organisations to connect, learn and act together for a more inclusive city.
La Cour des Contes is a storytelling festival held each spring in Plan-les-Ouates (Geneva), celebrating oral narration as a vital force for social connection and cultural dialogue. Since 1995, the festival has brought together storytellers from across the world, and the 2026 edition invites audiences to journey through epics and great narratives spanning continents and centuries — from Ireland, Mali, Algeria and Australia to closer shores. Blending classic tales with contemporary voices, performances, family shows and workshops, the festival affirms storytelling as a shared, intimate and deeply human art form.
Claire Rufenacht, dance therapist, is joined by dancer Pedro Ratto and cultural mediator Murielle Brunschwig, who offer complementary approaches to movement and cultural mediation.
These therapeutic workshops combine Argentine tango with adapted movement exercises for people with neurological conditions (Parkinson’s, Alzheimer’s, post-stroke and other movement disorders) and their caregivers. The sessions explore balance, rhythm and social engagement, examining how dance can support mobility, communication and emotional well-being.
In French.
Please adjust your criteria to see more results.
Event removed from your CoolAgenda.
Your password has been reset successfully. You can now log in with your new password.
We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.
Please check your inbox for a verification email to complete your sign-up.
