Friday 13 February, 21:00

Gabriel Zufferey: Piano Solo / Natan Niddam & Vincent Schmidt

Performances

Booking Required

Featuring pianist Gabriel Zufferey and the duo of Vincent Schmidt (guitar, oud) and Natan Niddam (piano, vocals), this double bill contrasts intimate lyricism with adventurous timbres. Zufferey — a Montreux Special Jury Prize winner — continues his Bill Evans–inspired exploration with a contemporary touch; the HEMU-trained duo, recent winners of JazzContreBand 2025, weave oud, guitar and piano into textured dialogues. Expect close interplay, warm harmonic language and rhythmic surprises that shift between tenderness and intensity.

Passage de la Radio 2,
1205 Genève

Array

Photo Credit: DR

6 – 15 February

My Parents’ Cabaret

Performances

Les Salons

A musical journey through the history of cabaret, from its origins to the present day, takes the stage at Théâtre Les Salons. Directed by Philippe Cohen, this production includes artists such as Bobby Lapointe and Aristide Bruant, accompanied by the talented Gaëlle Poirier on accordion and Narcisso Saùl on guitar. The ensemble, featuring Majbritt Byskov-Bridges, Philippe Cohen, Marie-Stéphane Fidanza, Claudia Lachat, Thomas Laubacher, and Kim Selamet, delivers a captivating evening filled with sketches and songs, offering a delightful blend of whimsy, romance, and humor.

Array

10 – 22 February

Voyage au bout de la nuit

Performances

Théâtre des Amis

Adapted and performed by Felipe Castro, this solo staging probes the absurdity of war, murderous nationalism and the raw misery at the heart of Céline’s writing. Coach José Lillo supports a performance of muscular, visceral language while Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Jean Faravel’s sound sculpt stark, claustrophobic atmospheres. The production balances brutal imagery with moments of surprising humanity, revealing the author’s vocation as a doctor through an intimate, relentless theatrical journey.

In French.

Array

11 – 15 February

Kevin

Performances

Théâtre le douze dix-huit

The company Chantal et Bernadette explores, with both naïveté and documentary precision, the foundations and challenges of the education system through the story of Kévin, who feels let down by it. By merging scientific inquiry with theatrical expression, they engage the audience’s critical thinking. This production is a collaborative creation by Arnaud Hoedt, Jérôme Piron, Antoine Defoort, and Clément Thirion, developed in close partnership with researchers, with special attention to set design and technical aspects.

In French.

Array

13 – 14 February

The Selfie Concert – Ivo Dimchev

Performances

Théâtre Saint-Gervais

“The Selfie Concert” by Ivo Dimchev at Maison Saint-Gervais is an interactive performance where the artist sings only when spectators take a selfie with him. This concept challenges the notions of narcissism and the interdependence between stars and fans, raising questions about perception and existence. The show highlights our mutual need for both the artist and audience to bring the event to life.

Array

28 January – 13 February

Séduction

Performances

Théâtre du Grütli

After spending six years in prison, a solitary con artist embarks on a journey of reintegration. Suddenly, a woman claiming to be his daughter appears, bringing up a missing sum of money, a cult, and an heiress tied to wartime exploitation. With the support of a therapist who was involved throughout his incarceration, the characters delve into a world of deception, identity quests, and shared guilt. This existential thriller delves into the fragmented nature of reality and memory.

In French.

Array

11 – 22 February

Simple Machines

Performances

Théâtre des Marionnettes

Choreographer Ugo Dehaes replaces his human troupe with extravagant robot-dancers endowed with an artificial intelligence that invents their own choreography. Intimate and unsettling, the performance invites the audience to sit around a table as the mechanised performers execute an uncanny, rhythmic ballet. Marie Peeters’ dramaturgy frames questions about labour, profit and the place of culture, while Wannes Deneer’s scenography and musical composition shape a tactile, immersive atmosphere. The piece blends humour, critique and physical precision.

Array

Oops! It seems there
are no events matching your selection!

Please adjust your criteria to see more results.

Gabriel Zufferey: Piano Solo / Natan Niddam & Vincent Schmidt