Priscilla Formaz, known as Forma, offers a candid and comic solo performance that traces her journey from an Alpine childhood to the stage. Mixing stand-up and song, she examines fame, identity and the artifice of show business with sharp wit and warmth. Intimate storytelling alternates with musical moments, revealing an artist both vulnerable and charismatic. The result is a touching, funny portrait of reinvention and authenticity.
In French.
Douglas Vanille is an intergalactic DJ performance merging live indie dance rhythms with dark disco textures. After fleeing the destruction of his home planet Kiwi32, the solitary DJ pilots a tiny vessel while pursued and battered by cosmic hazards. On stage the audience becomes his crew and the room a cockpit, guided by propulsive grooves and luminous sound design. Accompanied by his robotic companion K‑R4MEL, the show invites sustained movement and nocturnal reverie.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.
In French.
Trained as an actress and inherently intense, Judith*G is a DIY pop star who transforms sleepless nights into joyously cathartic songs. Her witty, heart‑piercing lyrics sit atop catchy melodies, nostalgic synth‑pop and 90s electro‑rock guitars. Humour, self‑deprecation, handmade merch and playful movement complete a raw, energetic stage persona that invites both laughter and close‑up emotional moments.
In French.
But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.
They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”
In French.
Two retired clowns revisit moments from their lives with mischievous tenderness and a sharp, critical eye. The piece unfolds as a series of rapid transformations—each reinvention arriving every three minutes—blending physical comedy, memory and gentle satire. The performers invite laughter through self-mockery and shared recognition, balancing fragility and spirited resilience. Staging privileges rhythm and gesture, creating a warm, bittersweet atmosphere that observes the world through playful yet clear‑eyed humour.
In French.
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