The Eliot Quartett offers a concentrated programme of chamber music, exploring contrasts between Classical clarity and late Romantic and 20th-century intensity. The ensemble’s refined interplay and precise articulation illuminate Haydn’s op. 76 no. 1, Shostakovich’s Quartet No. 4 and Schubert’s expansive Quartet in G major D.887. Listeners can expect lucid phrasing, dynamic contrasts and a narrative arc that balances structural rigour with expressive warmth.
La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.
In French.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Adapted freely from Maryse Condé and Emily Brontë, this theatrical adaptation follows Razyé and Cathy across three generations in a post-emancipation Guadeloupe. Directed by Anne Monfort, the production probes themes of racism, passion, pride, social violence, vengeance and fatalism through a visceral, rhythmic staging. The ensemble uses sparse, evocative design and intense physical interplay to reveal how inherited trauma shapes desire and retribution.
In French.
Four performers embody testimonies from different generations in Sept, situated at the crossroads of dance and film. Between intimate confidences and tender tableaux, the piece examines how age shapes us and stages a delicate exploration of what growing older means, revealing a shared humanity. The staging shifts between projected images and live bodies, weaving visual and physical layers to create an experience that is both poetic and unsettling.
Focus Jeune Création brings together a new generation of Romand artists over two weeks, presenting five bold and hybrid performances that blur theatre, performance and live art. The program explores emergent writing and stage practices— from plateau-based text to pieces rooted in the real—offering layered, often indisciplinary approaches that question formats and invent languages for a transforming world. Accompanying meetings and discussions extend the works and open insight into creative processes.
Invited by the OSR, Krzysztof Urbański conducts the Berner Symphonieorchester with Swiss pianist Francesco Piemontesi in a programme devoted to Johannes Brahms. The evening contrasts the Piano Concerto No. 1—born in mourning, marked by solemn intensity—with the radiant serenity of Symphony No. 2. The interpretation privileges orchestral warmth, layered textures and clear dynamic shaping, transporting listeners into an intimate, emotionally charged sound world where lyricism and dramatic surges alternate with measured poise.
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