Don Carlos, a reggae legend from Western Kingston with a career dating back to 1973 and a former member of Black Uhuru, leads an evening of melodic roots reggae. He performs with Dub Vision, while GEO & the Upright Ones — Don Carlos’s son and an emerging artist — presents new material drawn from the album “New Horizon”. The set balances classic roots rhythms, soulful vocals and warm dub textures, offering a timeless and intimate musical experience.
Led by a string quartet featuring violinists Cécile Carrière and Girolamo Bottiglieri, violist Frédéric Carrière and cellist David Poro, this lunchtime concert presents Beethoven’s String Quartet No.7 (Op.59 No.1) within an intimate series showcasing musicians from the Geneva Chamber Orchestra. The performance emphasizes clarity of texture and close ensemble dialogue, offering a relaxed, luminous listening experience where interplay and phrasing bring out the work’s dramatic contrasts and warm lyricism.
“Les Trois Soeurs à Trois” by Collectif BPM at Maison Saint-Gervais presents an inventive reinterpretation of Chekhov’s play. Artists Catherine Büchi, Léa Pohlhammer, and Pierre Mifsud transform this classic by portraying journalists recording a radio show. They narrate the real or imagined stories of different productions of the play, while sharing personal and family anecdotes, providing a humorous and sharp reflection on their own dreams and illusions.
In French.
L2B, a rap trio from the outskirts of Paris, will electrify the Alhambra with their high-energy and generation-defining anthems. Consisting of IDS, KLN, and D2, this group has evolved from humble beginnings to a phenomenon in French rap. Their on-stage chemistry and the authenticity of tracks like “Pélican” and “Amis d’enfance” continue to captivate a growing audience. Don’t miss this exceptional concert at the Antigel festival!
Choreographer Ugo Dehaes replaces his human troupe with extravagant robot-dancers endowed with an artificial intelligence that invents their own choreography. Intimate and unsettling, the performance invites the audience to sit around a table as the mechanised performers execute an uncanny, rhythmic ballet. Marie Peeters’ dramaturgy frames questions about labour, profit and the place of culture, while Wannes Deneer’s scenography and musical composition shape a tactile, immersive atmosphere. The piece blends humour, critique and physical precision.
Adapted and performed by Felipe Castro, this solo staging probes the absurdity of war, murderous nationalism and the raw misery at the heart of Céline’s writing. Coach José Lillo supports a performance of muscular, visceral language while Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Jean Faravel’s sound sculpt stark, claustrophobic atmospheres. The production balances brutal imagery with moments of surprising humanity, revealing the author’s vocation as a doctor through an intimate, relentless theatrical journey.
In French.
Neg’ Marrons mark 25 years of music with a release evening that brings together their hybrid hip‑hop and reggae roots with local selectors. The group’s storytelling and rhythmic delivery sit alongside sets by Little Lion Sound and Derrick Sound, whose DJ work and sound‑system aesthetics extend the show into dancehall and bass‑heavy grooves. The evening highlights the trio’s history as co‑founders of Evidence Music and their role as producers and cultural ambassadors within Geneva’s sound‑system scene.
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