Déconcertitudes is an augmented and playfully deconstructed concert featuring a string quartet and the Geneva-based composer Jacques Siron. Blending written scores with lightly absurd situations, unexpected gestures, and quirky words, the performance challenges traditional concert conventions and invites audiences into an inventive, unpredictable musical experience.
Maël Godinat (piano), Pierre-François Massy (double bass) and William Jacquemet (trombone) present an evening of original compositions and a handful of chosen covers. The trio’s sound privileges warm harmonic textures and close interplay, seeking to reimagine familiar tunes through delicate arrangement and spontaneous dialogue. Lighting and sound are kept subtle to foreground acoustic intimacy, inviting listeners into a dreamlike atmosphere where harmonies unfold and linger.
Created by the company Alliance Créative, COMME UN LUNDI is a fully improvised theatre piece that probes the textures of modern work life. The five performers — Nina Cachelin, Deborah Chirenti, Malik Kaufmann, Adrien Laplana and Eric Lecoultre — conjure shifting office micro-worlds, from awkward ambition to quiet complicity. Through rapid character shifts, minimalist staging and elastic rhythm, the troupe maps rivalries, unspoken desires and the absurdity of ‘bullshit jobs’, producing moments both comic and quietly unsettling.
In French.
The new production of Rossini’s opera “L’Italienne à Alger,” directed by Julien Chavaz and conducted by Michele Spotti, promises a delightful twist on an operatic masterpiece. This satirical opera buffa, composed in 1813, subverts traditional norms with its blend of comedy and absurdity. Gaëlle Arquez takes on the role of Isabella, alongside performances by Nahuel Di Pierro and Maxim Mironov. Adding to the experience, a “Glam Night” is planned, with surtitles available in both French and English. The production features the Chorus of the Grand Théâtre de Genève and the Orchestre de la Suisse Romande and will be held at the Bâtiment des Forces Motrices.
Directed by Joël Maillard and adapted from Nina Yargekov’s novel, Double nationalité is a choral theatrical investigation into identity and its contradictions. Four actresses — Cécile Goussard, Mélina Martin, Alicia Packer and Marie Ripoll — embody a single heroine and the chorus of her inner thoughts, navigating bilingual disorientation, memory and fantasy. Mélissa Rouvinet’s scenography, Antoine Françoise’s music and Édouard Hügli’s lighting create a dreamlike, often sharp atmosphere. Production by Cie SNAUT; costumes by Coralie Chauvin and sound by Cédric Simon.
In French.
Directed by Cyril Teste, this restless adaptation of Anton Chekhov’s Platonov concentrates the action into a single, simmering night. Teste blends cinema and theatre, letting the camera trace fragments of conversations, music and the shifting paths of desire and solitude. Around the melancholy misanthrope Micha, an ensemble confronts money, regret and incomprehension as frustrations and longings are amplified by summer heat and drink. The staging is at once filmic and theatrical, precise and emotionally porous.
In French.
Winter of Caecilia gathers seven local theatre productions that revisit contemporary and classic forms through monologue and solo performance. Artists such as Nastassja Tanner, Ahmed Belbachir, Roland Vouilloz and Vincent Jacquet offer intimate, visceral interpretations, while texts by playwrights like Fabrice Melquiot are brought to life under directors including Jean‑Yves Ruf. The programme mixes poetic, comic and physically charged pieces that privilege sensory staging and emotional immediacy, inviting audiences into distinct, singular theatrical universes.
In French.
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