Choreographer Cindy Van Acker brings Iannis Xenakis’s Pléïades to the stage, assembling five dancers, six percussionists from the Eklekto collective and a large percussion arsenal. Van Acker shapes a moving percussion landscape where bodies confront the score’s power and complexity, constantly shifting posture and relation to sound. Music is played live; scenography and lighting by Victor Roy frame waves, galaxies and whirlwinds in a rigorous, visceral performance. Creation 2026; coproduction.
Lost love, mistaken identities, and non-stop laughs collide in The Servant of Two Masters, presented by the English language theatre in Geneva. In this fast-paced classic by Carlo Goldoni—adapted by Lee Hall—hungry servant Truffaldino attempts to serve two masters at once, only to unleash a whirlwind of comic chaos. Sharp, physical, and irresistibly funny, this is classic comedy with a contemporary bite.
In English.
Hend Jouda performs a powerful Arabic reading that traces the experience of war, precarity and the fragile hope of renewal. Her voice, carried among intimate anecdotes and universal gestures, fragments everyday life while carving a poetic space. Translator and collaborator Henri Jules Julien provides a reflective translation and outside perspective, and Youness Atbane shapes the sound environment to heighten textures and silence. Presented with French surtitles, the performance balances urgency and tenderness.
Immerse yourself in a magnificent tribute to Ennio Morricone and a century of cinema, performed by the Madrid Philharmonic Orchestra under the direction of Fernando Furones. Iconic scores from The Good, the Bad and the Ugly, Cinema Paradiso, Titanic, Star Wars, and many more will bring to life an evening celebrating some of the greatest music ever written for the silver screen.
Written by Penda Diouf and staged by Evelyne Castellino, LA GRANDE OURSE is an ecofeminist fable that traces a mother’s descent after a minor incident becomes criminalized. Combining video, choreographed movement and choral voices, the piece weaves police violence, racism and sexism into a hallucinatory, dystopian world where omnipresent surveillance watches every gesture. As the heroine reconnects with ancestral nature by transforming into a bear, the production evokes animal survival instinct, collective gossip and the fragile line between humanity and wildness, offering a visceral, poetic reflection on power and resistance.
In French.
Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.
In French.
The Festival Voix de Fête welcomes Oxmo Puccino and Yao for a concert at the Alhambra. Oxmo Puccino, a towering figure in francophone rap, embarks on a new tour with his final album, offering a last embrace to his audience with his distinctive voice and elegant lyrics. Yao, an urban poet, combines soul, funk, alternative hip-hop, and slam to deliver powerful and vibrant performances. Celebrated as an exceptional lyricist within Canadian francophonie, Yao crafts deeply immersive and lingering moments on stage.
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