Choreographer Cindy Van Acker brings Iannis Xenakis’s Pléïades to the stage, assembling five dancers, six percussionists from the Eklekto collective and a large percussion arsenal. Van Acker shapes a moving percussion landscape where bodies confront the score’s power and complexity, constantly shifting posture and relation to sound. Music is played live; scenography and lighting by Victor Roy frame waves, galaxies and whirlwinds in a rigorous, visceral performance. Creation 2026; coproduction.
The Antigel opening night brings a charged, club-like atmosphere where shadowed movement and layered sound meet. Patrick Mason anchors the evening with immersive techno and house textures, while Djamzer opens with a warm-up set. In the second room, Spice & Curls and Habiboo deliver afro-electro, ragga and baile funk rhythms. Additional floors host a collective DJ set and a late-night bar selection, creating a multi-room journey of dance and sonic intensity.
Swiss music icon Stephan Eicher pares everything to the bone in this intimate solo soirée, blending grainy-voiced classics with wry, raconteur anecdotes to chart a life spent wandering off the mainstream map; sparked by a chance stroll, honed with director François Gremaud, the show unfolds like a dandy’s confessional, letting familiar melodies bloom into candid, humorous revelations that lay bare the poetic, ever-restless spirit behind the hits.
In French. Ages 12 and up.
The play “Judith,” elevated by masterful language, delves into the depths of desire through an intriguing and intimate setting. Directed by Gabriel Alvarez and featuring Clara Brancorsini, Justine Ruchat, and Soufiane Guerraoui, the performance presents a gripping duel between Judith, a young widow, and Holopherne, an enemy general. This battle, where territorial stakes interweave with personal desires, examines the boundaries between ideology and bodily impulses, in a confrontation where words both soothe and sting.
In French.
Directed by Bastien Blanchard, CANICULE is a first play that turns a scorching domestic scene into a comedic yet unsettling probe of consumerist happiness. Actors Nadim Ahmed, Estelle Benaïch, Danae Dario and Angelo Dell’Aquila shift between light banter and mounting unease as a repairman exposes fissures in a marriage. Cornélius Spaeter’s scenography, Marc Heinmendinger’s lighting and Ljubica Markovic’s costumes frame moments of heat, claustrophobia and ironic intimacy, touching on climate change and overconsumption with dry wit and emotional precision.
In French.
Amid the bustle of city life, five “artist donors” — musicians, singers, poets, performers, and visual and sound artists — offer a timeless, made-to-measure pause created just for you. This intimate and restorative experience invites audiences to slow down, reconnect, and give space to new, bold aspirations.
Directed by Cyril Teste, this restless adaptation of Anton Chekhov’s Platonov concentrates the action into a single, simmering night. Teste blends cinema and theatre, letting the camera trace fragments of conversations, music and the shifting paths of desire and solitude. Around the melancholy misanthrope Micha, an ensemble confronts money, regret and incomprehension as frustrations and longings are amplified by summer heat and drink. The staging is at once filmic and theatrical, precise and emotionally porous.
In French.
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