Created by and starring Sophie Ammann, Nathaly Leduc, Arnaud Mathey, Pauline Ranieri and Camille Tavelli alongside wrestlers from Geneva Total Wrestling, Cabaret Catch merges theatrical cabaret with staged wrestling. The piece plays up spectacle, noise and physical comedy, balancing choreographed confrontations with satirical flair. Its energetic ensemble work and bold performative gestures create a raucous, immersive atmosphere that foregrounds playfulness and theatrical risk.
In French.
Singer-songwriter Matilde offers an intimate acoustic set anchored by guitar and voice, blending pop covers with original compositions. Sparse arrangements and warm, hushed vocals reveal lyrical intimacy, where melody and subtle dynamics shape moments of yearning and calm. The performance favours close listening, evoking twilight by the water with gentle rhythms and fragile harmonies that create a reflective, sunlit mood.
In French.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
Graines de Ciel – on the road is a poetic, theatrical-musical encounter conceived by Latifa Djerbi and produced by Compagnie Les Faiseurs de Rêves. Five artist-donors — Nyna Loren, Latifa Djerbi, Amanda Cepero, Mehdi Djouad and Arthur Mettrayer — alternate between sung, spoken and instrumental fragments to create intimate, restorative micro-performances. The piece offers individual poético-musical bubbles and brief rooftop stage presentations that invite quiet reflection and renewed audacity.
In French.
REQUIEM POUR DU POGNON is a musical comedy that unfolds as a blackly comic inheritance farce. After the death of wealthy entrepreneur Marcel, a large, fractious family gathers to read the will: a humiliated widow, a lovesick secretary, an avaricious mistress, a dull son, neurotic daughters and grasping cousins. Songs, ensemble numbers and moments of karaoke expose secrets, rivalries and petty betrayals, shifting between biting satire and tender absurdity while the stage pulses with chaotic, carnival-like energy.
In French.
Led by Thierry Courlet (voice, piano, compositions), Le Thierryble revisits 1960s–70s rock with French-language lyrics that blend bittersweet poetry and wry paranoia. Electric guitars give way to cello and delicate arrangements by Vartan Baonian, while Maëllie’s vocal textures and percussion colour the sound. Influences such as Pink Floyd, the Beatles and Genesis surface without pastiche, creating melancholic, cinematic moments. Presented within the Musique à Pont-Rouge programme in collaboration with FA-MI, the set feels intimate and reflective.
In French.
Directed by Françoise Courvoisier, Les Glycines is a new creation by the TAC ensemble that examines the theme of madness through comic and reflective lenses. Performers including Nicole Aubert, Loulou Morisod, Catherine Vaucher, Zamila Yunus, Patrice von Büren, Claude Morex and Daniel Mouchet use improvised confidences to weave reality and fantasy. The staging blends intimacy and humour, shaping a tailored theatrical work for this company. Produced by Les Amis – Le Chariot.
In French.
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