BLUE BLUE SKY brings an indie rock-pop set that moves between playful energy and dreamy escape. The music turns human rock ’n’ roll mayhem into a breezy, sunlit ride, with a sound that feels both buoyant and slightly surreal. Its imagery of blue skies, waves, and summer warmth suggests a performance built on lightness, movement, and an easy sense of release.
Patrice Thibaud and Philippe Leygnac form an unforgettable, multifaceted comic duo whose work blends pantomime, music, acrobatics and contortion. Conceived by Patrice Thibaud and staged by Susy Firth, Michèle Guigon and Thibaud, the show layers silent burlesque with original music by Leygnac, inventive lighting by Charlotte Dubail and costumes by Isabelle Beaudoin. Through poetic physical comedy evoking Tati and Chaplin, the performance explores sporting rituals and human foibles with irony and tenderness.
Directed by Guy Cassiers and starring Valérie Dréville, this stage adaptation of Camille de Toledo’s novel blends documentary and fiction. Through photographs, letters and manuscripts, the performance traces a family’s history across generations as a man seeks rebirth amid loss. The staging mixes intimate memory, myth and collective history with a restrained visual language and careful dramaturgy, inviting a delicate, atmospheric encounter with grief, identity and transmission.
In French.
An adaptation of Jusque dans nos bras, this theatrical staging follows Alice—half Kabyle, half Norman—and Mad, her childhood friend returned from Mali, as they confront hostile immigration procedures and social exclusion. The play blends narrative, direct address and collective performance: voices multiply, perspectives intersect and an ensemble becomes a space of solidarity, joy and resistance. Intimate choices become political acts, exploring identity, belonging and youthful refusal to resign.
In French.
Directed by Marie-José Malis, Retour au pays revisits Hugo von Hofmannsthal’s letters through a spare, lucid staging. Performers Alexandra Tiedemann and Juan Crespillo inhabit the returning merchant’s disorientation, while Aurélia Ansermet provides live music and sound. Bernard Héritier’s scenography and Jessy Ducatillon’s lighting shape moments of visual surprise, most poignantly a Van Gogh encounter that restores belief in the world. The piece refuses facile answers, offering theatrical lucidity and an austere emotional clarity.
In French.
A theatrical, musical and visual voyage into the heart of the Mediterranean, Poésidonia brings together forty actors, singers and musicians in a vibrant chorus. Their stories speak of solidarity, exile, hope and resistance, carried by poetry, music and voices from across the world. Around the performance, concerts extend the encounter, while an exhibition of photographs and illustrations adds further visual perspectives.
In French.
Norwegian soprano Lise Davidsen brings her acclaimed Met Opera presence to a Schubert recital that probes the intimate link between music and literature. Her interpretations illuminate Schubert’s fascination with Goethe, culminating in a dramatic reading of the ballad that inspired Erlkönig. With luminous tone and concentrated phrasing, Davidsen shapes each lied with emotional clarity, balancing lyricism and intensity to reveal the poetry’s dark undercurrents.
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