17 – 26 April

Archipel Festival

Archipel Festival presents a selection of independent cinema that foregrounds experimental narratives, emerging voices and boundary-pushing forms. Over a curated programme, filmmakers explore intimacy, migration, memory and the politics of image through bold cinematography and attentive sound design. The festival prioritises debut works and daring auteurs, offering concentrated encounters with contemporary film practices. Programming balances short and feature-length films, panel conversations and artist-led sessions that frame the films within wider cultural and aesthetic debates.

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17 April – 30 May

This exhibition presents portraits and personal testimonies of about twenty Swiss centenarians alongside results from the SWISS100 interdisciplinary research project. Photographs, audio testimonies, archival documents and data visualisations dialogue to reveal everyday realities of longevity. The display combines portraiture and research to challenge clichés, exploring memory, loss, care and social infrastructures that shape life after a hundred. Visitors encounter intimate narratives framed by scientific analysis and visual storytelling.

Opening: Thursday 16 April, 18:30 – 20:30

11 February – 26 April

VideoDatabase – Cartes blanches 2026 gathers four curatorial carte blanche projects that reframe a public video collection through screenings and artist-led playlists.
Conservator-restorer Eléonore Bernard, dancer-choreographer Lucy Nightingale, programmer Christophe Piette, and curators Marie Jeanson and Denis Schuler each present selections of video and moving-image works ranging from early video art to experimental contemporary pieces.
The series explores archival practices, performative temporality, and the shifting histories of moving-image mediums, prompting reflection on preservation, context and modes of display.

4 October 2025 – 23 May 2026

The exhibition “Sauvages” at the Cité Library invites visitors to delve into the behind-the-scenes of Claude Barras’s film. It is divided into three sections that cover the ecological and cultural aspects of Borneo, reveal the creative and production processes of the film, and immerse the audience in the filming atmosphere through never-before-seen photos and testimonials. Original documents, drawings, travel journals, sets, and figurines enhance this immersive experience.

16 October 2025 – 30 August 2026

The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.

20 February – 29 November

Marie Ducaté presents Simultanés, an installation that transposes the spirit and traces of her studio into a theatre of objects. Combining ceramics, tracing paper, watercolor, textile and glass, the work sits at the intersection of pop culture and art history. The installation foregrounds a chromatic range from vivid colour to transparency and investigates the sensuality of materials, inviting close attention to texture, surface and the intimate relationships between form and materiality. Curated by Claire FitzGerald.

1 – 6 May

“Métamorphose.” The exhibition aims to bring together artists and artworks inspired by the theme of spring in all its forms and interpretations. Each artistic contribution brings a distinct voice to this shared reflection on transformation and renewal.

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