Théâtre de la Madeleine

Théâtre de la Madeleine

Nestled at the foot of the Old Town, the Théâtre de la Madeleine is a theater hall, primarily dedicated to stand-up comedy.

Salle Centrale de la Madeleine,
Rue de la Madeleine 10, 1204 Geneva

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All Events at this Venue

Saturday 27 February, 20:30

David Sun presents a personal solo performance that transforms a life in transition into warm, sharp comedy. Fresh from a decade of medical studies and reeling from a breakup, he navigates themes of pressure, self-reconstruction and the search for fulfilment. Through candid storytelling, physicality and bright stage presence, he blends vulnerability and high-energy humour to reconnect with joy and the audience. Intimate and uplifting, the show balances introspection with lively comic timing.

In French.

Saturday 6 March, 20:30

Through the eyes of a young woman whose body has changed—and whose worldview has changed along with it—this show highlights the ups and downs of life in XXL: its encounters, struggles, and adventures. Close to her audience, whom she calls “my darlings” or “my sisters,” Sofia Belabbes creates a genuine connection where we laugh at life’s simple things.

In French.

Friday 12 March, 20:30

Robin Gomez on stage — a concentrated dose of humor a thousand times more powerful than on your screens. A true comedy phenomenon, Robin Gomez has amassed over 100 million views on social media with his short, inventive, and offbeat videos under the handle @la_robs. In 2024, he’s taking the leap from virtual to real, pushing the boundaries on stage and delivering an explosive, hilarious, and generous show. This is a unique opportunity to experience him live and share an intense, unforgettable moment.

Imagine: the energy of a thousand videos… but in real life, longer and even funnier. A show that some come back to see multiple times, never getting tired of it. So, it’s your turn to dive into the world of Robin Gomez.

In French.

Saturday 5 June, 20:00

Over the course of a one-hour solo performance, Ana Godefroy confronts questions of visibility and presence. Through intimate monologue, subtle shifts of tone and close audience interaction, the piece probes identity, the female gaze and the tension between being seen and remaining private. The staging favours confinement and immediacy, inviting reflection on twenty-seven years of self-questioning and the delicate politics of attention.

In French.

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