Nestled in the heart of Geneva’s Old Town, the Museum of Art and History ranks among Switzerland’s largest museums. Boasting a collection of around 650,000 objects spanning applied arts, fine arts, and archaeology across five floors, the museum embraces a dynamic and innovative approach to showcase its treasures through unexpected exhibitions. Annually, it hosts approximately ten temporary exhibitions, frequently inviting contemporary artists to contribute. The museum organizes a variety of surprising events, including yoga classes in the galleries and after-work parties.
The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
Asuna Arashi assembles more than a hundred keyboards, synthesizers and found sound objects to build a towering sonic landscape. Working between dense drones, evolving textures and abrupt metallic resonances, the performer sculpts immersive layers that blur the boundary between instrument and environment. The piece unfolds as a listening ritual, alternating tension and luminous release, inviting close attention to microsonic detail. Presented within the frame of Festival Antigel, the work reframes live electronic performance as a collective interior voyage.
Led by cultural mediator Isabelle Burkhalter, this twenty-minute introductory visit presents Asuna Arashi’s piece linked to the concert 100 Keyboards. The short talk frames the work, offering contextual keys and close listening prompts that illuminate the performance’s structure and sound world. The encounter favors attentive listening and reflection, creating an intimate, concentrated atmosphere that prepares audiences for the concert ahead.
In French.
A family tour of the “Observatoires” exhibition by John M Armleder invites participants, aged 6 and above with an accompanying adult, to explore a captivating world filled with animals, light and mirror reflections, and astonishing installations.
In French.
Journalist Céline Argento hosts a literary walk focused on stage writing, joined by Geneva comedian and actress Brigitte Rosset and Jura-based actress and choreographer Eugénie Rebetez.
The session examines the craft of writing for performance through Rosset’s reflections on her book Merci and its stage adaptation, and Rebetez’s account of creating Comeback, a one-woman piece blending dance, theatre and poetry, exploring voice, movement and personal memory.
In French.
Led by the Quatuor Terpsycordes with cultural mediator Isabelle Burkhalter, this twenty-minute introduction to the “Intégrale Haydn” concert unpacks the dialogue between the learned and the popular in Haydn’s writing. The quartet and mediator combine musical excerpts, close listening cues and historical context to reveal stylistic cross-currents. The tone is intimate and exploratory, guiding listeners from analytical insight to sensory appreciation and preparing them for the full concert experience.
In French.
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