Under the direction of Sergey Ostrovsky, this classical concert pairs luminous Baroque textures with 20th-century intimacy. Flutist Natan C’zorzi brings warmth to Bach’s orchestral suite, while Sarah Pagin’s soprano and Noémie Bialobroda’s alto deliver Britten’s vocal cycles with expressive clarity. The programme culminates in a delicate string-orchestra arrangement of Beethoven’s late quartet, offering a contemplative, chamber-like sound. The evening balances technical finesse and emotional depth, inviting attentive listening in a refined acoustic setting.

The Eliot Quartett offers a concentrated programme of chamber music, exploring contrasts between Classical clarity and late Romantic and 20th-century intensity. The ensemble’s refined interplay and precise articulation illuminate Haydn’s op. 76 no. 1, Shostakovich’s Quartet No. 4 and Schubert’s expansive Quartet in G major D.887. Listeners can expect lucid phrasing, dynamic contrasts and a narrative arc that balances structural rigour with expressive warmth.

Presented by pianist and composer Nikolay Khozyainov, this recital juxtaposes the volcanic virtuosity of Franz Liszt with the composer-performer’s own poetic works, including two world premieres. Khozyainov’s crystalline technique and intimate phrasing shape a program that moves from tempestuous sonority to reflective lyricism. The evening foregrounds the solo piano as an orchestral voice, combining daring technical feats with moments of tenderness, inviting a concentrated, emotionally charged listening experience.