
Located on the edge of Geneva’s old town, the Alhambra has been part of the city’s cultural landscape since its establishment in 1920. It primarily serves as a venue for contemporary music events, organized by private entities and non-profit associations. The venue also hosts concerts and events during Geneva’s many festivals, offering a diverse range of musical performances.
Suzane’s concerts pull you in: taut movement, a steady stare and lyrics that say things without hesitation yet make you dance. Revealed to the public with Toï Toï and confirmed on stage, she returns with Millénium, a raw, timely album. On stage she blends choreography, direct storytelling and propulsive electronics to create intense scenes and communal release. Presented in partnership with Inouïe.
Led by Médine and directed by Laetitia Botella, Enfants du destin revisits stories of children swept up in history’s upheavals. Accompanied by Guillaume Zolnierowsky (piano, guitar) and Shéhérazade (voice, cello), the piece unfolds as intimate acoustic storytelling; Karinale Lo van Zaouiche punctuates the narrative with brief, dialogued interventions. With lyrics by Médine and music by Proof, adapted by Redzol and Shéhérazade, the performance blends concert and theatre to probe collective memory, interweaving personal names and fractured lives into a quiet, resonant inquiry.
In French.
Pierre de Maere, a 24-year-old singer-songwriter and recipient of the Victoires de la Musique Revelation award, brings feverish romanticism, biting irony and theatrical panache to an intimate pop performance. His platinum debut Regarde‑moi provides a backdrop for expressive vocals and bold stagecraft, where shimmering melodies alternate with caustic wit. The show mixes flamboyant gestures with quiet vulnerability, inviting a charged emotional arc and a sense of liberated, performative freedom across his upcoming tour.
Lio returns to the stage with a new album, Geoid Party in the Sky, conceived as an intimate tribute to the encounters that shaped her life and career. The record gathers contributions from Louane, Hoshi, Corine, Isia Marie, Betta Lemme, Sophie Ellis-Bextor, Marie Darrieussecq and Sofia Portanet, blending pop sensibilities with reflective lyricism. Produced by Opus One and Play Two, the performance promises polished arrangements and a warm, nostalgic atmosphere centered on collaboration and memory.
In French.
Laboratorium Pieśni invites listeners into a luminous world of global polyphony, presenting original arrangements of Slavic, Balkan and Baltic songs alongside new compositions from their creative laboratory. Seven women — Alina Jurczyszyn, Kamila Bigus, Lila Bosowska, Iwona Bajger, Magda Jurczyszyn-Turło, Alina Klebba and Karolina Stawiszyńska-Wiatrow — weave a cappella and instrumentally accompanied textures (drums, shruti box, flutes, chimes) into intimate soundscapes. An exploration of voice, improvisation and nature, SEPTEM traces cycles of creation, intuition and collective harmony.
Théa delivers a raw, combustible set that channels revolt and despair through intense lyrics and a bold musical fusion. Drawing on punk urgency, rave pulsations, emocore vulnerability and glossy (ultra)pop hooks, the artist balances abrasive energy with melodic clarity. The performance favors visceral vocal delivery, high-tension arrangements and immersive dynamics that invite both catharsis and reflection. Minimal staging foregrounds the music and emotional immediacy.
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Culture, curated weekly.
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