Created and presented by physicist and science communicator Sam Gregson, and co-presented with Laura de Vevey (head of science shows at CERN), this bilingual show turns the scientific method into playful theatre. Through witty demonstrations, hands-on experiments and audience participation, the presenters guide participants step by step toward the idea of the Higgs boson, blending storytelling with live science. The atmosphere mixes curiosity, laughter and wonder, privileging immediacy, surprise and collective discovery.
In French & English.
Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.
Opening : during the Nuit des Bains, Thursday 12 March, 18:00
Closing event : in conversation with Marc-Olivier Wahler, Tuesday 12 May, 18:00-21:00
The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.
May 1972 is an exhibition dedicated to Salvatore Emblema (Naples, 1929–2006), bringing together works produced between the late 1960s and the early 1980s. Across paintings, sculptures and installations, Emblema refines a conceptual language that interrogates materiality, form and temporality. The presentation highlights his experimental use of found materials, assemblage and reductive gestures, situating these works within postwar Italian avant‑garde practices and the artist’s evolving exploration of spatial and epistemic limits.
A solitary man ventures through the desert in search of Prometheus, blaming the gods for igniting a consuming fire within each human. This monologue delves into the connections between ancient tragedy and contemporary turmoil, examining desire and existence through the lenses of love and creation, all in pursuit of an illuminating fire that does not consume.
In French.
Presenting works by Julien Fournival, Théa Giglio and Chaolin Li, this exhibition draws on acts of recovery, diasporic narratives and ambiguous forms. Through found materials, sculptural interventions and time-based compositions, the project probes disjointed temporalities where memory and disappearance coexist. The artists intertwine material histories and personal fragments to question how objects and gestures carry traces across loss and migration.
Guided tours in French.
Culture, curated weekly.
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