5 November – 16 January

Alexandre de Spengler

Free

L’Exemplaire dedicates its next exhibition to Alexandre de Spengler, spotlighting a lesser-known facet of his practice: printmaking. Gathering engravings produced between 1925 and 1955, the presentation invites visitors to rediscover an artist deeply tied to Geneva and its artistic life. A selection of graphic works reveals his place in the city’s cultural landscape, while archival documents shed light on his career, activity, and relationships within the local art milieu. It is a renewed encounter with a body of work that deserves close attention.

Opening: (AVV) 5 November, 16:00

Grand-Rue 25,
1204 Genève, Switzerland

Photo Credit: Alexandre de Spengler | Le funambule, circa 1925 | Linogravure, signée en bas à droite

Array

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Photo Credit: Alexandre de Spengler | Le funambule, circa 1925 | Linogravure, signée en bas à droite

16 September – 4 November

The Shadow of the Sun

Art & Exhibits

Tribe Gallery

Béchir Boussandel presents a body of work that unfolds from shadow and the heat of desert palettes. Through paintings, sculptures and delicate bird watercolours populated by anonymous figures, he examines displacement, crossing and survival within North African desert landscapes. The pieces use ochres, reds and material contrast to evoke memory and shifting identities, employing an atmospheric visual language that balances figuration and absence.

Array

15 October – 14 November

Marguerite Roesgen-Champion

Art & Exhibits

HEM Dufour

This presentation honours Marguerite Roesgen-Champion, the Geneva-born composer, pianist and harpsichordist, through an exhibition and related programme. Archival manuscripts, scores and recordings illuminate her compositional voice, keyboard repertoire and chamber works. The displays emphasise contrapuntal clarity, timbral detail and performance practice, situating her within the circle of contemporary harpsichordists. Curatorial texts and integrated media explore her contribution to Swiss musical life and interpretive traditions.

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30 October – 6 December

Fleuves de vie, vie des fleuves

Art & Exhibits

Maison de l'Avenir

Presented by the Interfaith Platform of Geneva, this exhibition traces ten major rivers across the world through geography, beliefs, traditions, biodiversity, and natural resources. Rather than a purely documentary survey, it reveals rivers as living environments where cultural memory, ecological interdependence, and spiritual meaning converge. The exhibition invites viewers to reflect on the beauty and fragility of these ecosystems, and on the many ways human communities have understood and inhabited river landscapes.

Exhibition at the Maison de l’Avenir, Impact Hub, Geneva – October 30 to December 6
Guided tours of the exhibition – November 12 and 25 at 6:30 PM
Round table discussion – November 24 at 7:00 PM

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24 October – 22 November

Biennale de l’Image en Mouvement 2026

Art & Exhibits

Centre d'Art Contemporain

Biennale de l’Image en Mouvement presents newly commissioned moving-image works by a selected international group of artists. The programme foregrounds experimental film, video and time-based installation, exploring contemporary approaches to narrative, spectatorship and archival practice. Public programmes and a co-edited publication accompany the commissions, situating projects within transregional dialogues and critical histories. Following an initial presentation in Tunis, the biennale will tour to Geneva and other European cities.

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16 September – 14 November

Live Language Model

Art & Exhibits

Centre d'édition contemporaine

Live Language Model brings together a collective exhibition that unfolds across successive sequences, presenting works and critical reflections on attention at the intersection of language and presence. The programme features performance-based pieces by the duo Calling the Operator (Axelle Stiefel and Octave Magescas) alongside new editions and sculptural installations by Thomas Hirschhorn and Olivier Mosset. Through typographic interventions, printed matter, performance and austere minimal forms, the project interrogates how language conditions perception and the social life of objects.

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28 October – 20 February

Edmund Clark and Crofton Black: Cosmopolemos

Art & Exhibits

Espace Ami Lullin

Edmund Clark and Crofton Black present a collaborative exhibition that interrogates the scale and knowledge systems of overwhelming structures of power. Using photography, archival imagery, data visualizations and text, the artists construct an encyclopedic investigation that interweaves images, datasets and language. Works draw on printed reference material to probe the technico-military-industrial complex, examining how knowledge production shapes secrecy, infrastructure and contemporary geopolitical imaginaries.

Opening : 28 October, 18:00

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Alexandre de Spengler