6 November – 18 December

A Different Measure of Time: Pablo Benzo

Pablo Benzo presents his first solo exhibition at the gallery, bringing together paintings that probe the fluid boundaries between interior and exterior, figure and landscape, memory and perception. Shifting perspectives and familiar subjects unfold across different scales of time. For Benzo, painting becomes a temporal and perceptual investigation, attentive to how images are experienced and remembered. In this work, stillness is not the absence of change, but movement apprehended according to another measure of time.

Rue Pierre Fatio 5,
1204 Genève
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Photo Credit: Pablo Benzo, Tree’s Advice, 2025.

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6 May – 10 January

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17 September – 7 November

Unfamiliar, Luminous, Remote marks Amit Berman’s first solo exhibition at the gallery, following an artist residency in Switzerland earlier this year. Bringing together a new body of paintings, the exhibition explores intimacy, memory and vulnerability through expressive gestures, visible layers of paint and atmospheric compositions. Moving between quiet domestic interiors, fragments of landscape and solitary figures, Berman’s works reflect on the fragile space between familiarity and estrangement, connection and withdrawal.

Created against a backdrop of war and emotional precarity, these intimate yet unsettled paintings reveal a persistent search for connection and belonging within an unstable reality.

Opening: Thursday 17 September, 18:00

Talk: Sunday 20 September, 14:30-15:30 with curator Danniel Tostes and Amit Berman.

25 September – 24 January

Ferdinand Hodler: Profession of Faith examines for the first time the spiritual dimension in the work of Ferdinand Hodler (1853–1918). Through some twenty-five paintings, the exhibition traces his youthful biblical readings, his rare biblical scenes, and his relation to the Reformation and the city of Geneva. It also considers how notions of creation and the order of nature informed his symbolist language and his meditative landscapes, revealing the interplay between religious themes and formal concerns in his painting.

13 October – 15 November

Dance First Think Later brings together choreographers, performers, visual artists and videographers to investigate convergences between dance, performance and moving image. The exhibition combines installations, video works, sculptures, drawings, scores and archival materials alongside durational performances.
Through embodied gestures and staged movement, the programme examines how bodies register history, politics, migration, gender, urban space, ecology and technology. Curated by O. Kaeser, the project foregrounds relational practices that reveal and question the choreographies shaping social and spatial life.

5 November – 15 April

Between 1600 and 1650, painting flourished between Antwerp and Amsterdam in a period of extraordinary artistic vitality. Antwerp, shaped by Rubens, stood as a leading centre of Baroque art, where movement, drama and vivid colour defined the pictorial language. Amsterdam, buoyed by economic expansion, fostered artists such as Rembrandt, whose work turned toward intimacy and realism. Rivalry and exchange between the two cities helped shape the Dutch and Flemish Golden Age, with portraits, landscapes and genre scenes all finding new richness in this remarkable artistic moment.

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16 September – 28 November

Beninese-born artist Roméo Mivekannin presents a series of paintings that investigate intimacy, memory and cultural identity. Working predominantly in acrylic on canvas, his canvases combine figurative portraiture with bold colour fields and textured surfaces. Works such as Anna in Red Kimono (2024) demonstrate a careful attention to costume, gesture and materiality, negotiating personal narrative and broader diasporic histories. The exhibition emphasises painterly craft and the tensions between representation and abstraction.

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