Skateboards belong in museums too. Pulp68 traces skate culture from the 1950s to today through boards, graphics, objects, books, and stories collected over decades. Raw, personal and refreshingly far from the white-cube museum experience.
Skateboards belong in museums too. Pulp68 traces skate culture from the 1950s to today through boards, graphics, objects, books, and stories collected over decades. Raw, personal and refreshingly far from the white-cube museum experience.
Franck Bohbot presents a selection of photographs of heritage libraries that open a space for meditation and reverie around the idea of the library.
Alongside these images, contemporary installations and mirrored arrangements that juxtapose photographs of personal libraries create reflective encounters, while a kaleidoscope of texts centers the theme. The exhibition examines how architecture, collection and personal memory shape our relation to knowledge, evoking nostalgia, curiosity and questions about the library as a social and imagined space.
Opening: 2 September, 18:30
Geneva based artist Gregory Bourrilly presents seven sculptures and a photograph that reconsider human-centered narratives in favor of ecological processes. Since 2018 his practice explores living dynamics and natural phenomena, imagining a posthuman world where human culture gradually yields to vegetal and animal recolonization. The works combine sculptural forms and photographic framing to evoke material transformation, decay and emergence, proposing alternative imaginaries of coexistence beyond anthropocentrism.
Opening: Thursday 17 September, 18:00
Thomas Fougeirol’s first solo exhibition investigates painting as an uncertain field between surface and relief, image and matter. Through a sequence of repaints layered over earlier Dust Paintings, Fougeirol activates texture, pigment and gesture to blur pictorial depth and sculptural presence. The show foregrounds material encounter and process-led decisions, emphasising modulation of light, density and sedimented histories within oil-and-pigment canvases that oscillate between representation and objecthood.
Opening: Wednesday 7 October
An anniversary exhibition examining 250 years of drawing in Geneva, bringing together historical holdings and contemporary commissions. The show juxtaposes patrimonial studies, preparatory sketches and finished works with twenty-five newly commissioned pieces, alongside student works from the local drawing school. Themes include portraiture and landscape, technical innovations, urban and territorial perspectives, ornament and botanical motifs. Curated by Silvia Zuccherini Martello, Nicolas Buri and Tom Tirabosco, the presentation traces the medium’s evolving practices and social significance.
Opening: Thursday, 17 September 2026, 18:00
Closing event – Mystery Fresco: Thursday, 17 December 2026, 18:00
Painter Gustave Didelot presents a structured practice around his concept the ‘Monde de peinture’, developed through accumulation and sustained observation. The exhibition comprises canvases that blend figural fragments, architectural motifs, and cultural references—from video games to contemporary art—producing a visual language that oscillates between mirror and distortion. Using layered paint and attentive composition, Didelot sketches a utopian elsewhere: paintings work as windows that invite projection, reveal alternative narratives, and occasionally suggest emergent forms that entangle play and perception.
Opening: 1 October, 18h30
Mi Mawai and Madzerokai present an immersive audiovisual installation born from a residency exchange between the Brazilian Amazon and Geneva. The work invites immersion in Baniwa cosmology through video, layered soundscapes, flutes, traditional singing and dance. Visitors are invited to lie in hammocks and on mats for contemplative encounters with projected landscapes and ritual sonic textures. The piece foregrounds ancestral knowledge, collective memory and multisensory modes of storytelling.
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