Geneva, before it became the Geneva we know. Set in the city’s oldest surviving private residence, Maison Tavel tells the story of local life from the Middle Ages to the 19th century. Don’t miss the impressive Magnin Relief, a huge model of Geneva before its fortifications disappeared.
Our eyes are naturally drawn to light and what shines. Yet what could be more fascinating than shadow? Shadows have enabled many fundamental discoveries: the shape of the Earth, the calculation of its circumference, the identification of electrons, and the understanding of planetary motion. They accompany us and enrich our thinking. Come and explore them to learn more about their role in science.
Exhibition in French & in English.
Painter Gustave Didelot presents a structured practice around his concept the ‘Monde de peinture’, developed through accumulation and sustained observation. The exhibition comprises canvases that blend figural fragments, architectural motifs, and cultural references—from video games to contemporary art—producing a visual language that oscillates between mirror and distortion. Using layered paint and attentive composition, Didelot sketches a utopian elsewhere: paintings work as windows that invite projection, reveal alternative narratives, and occasionally suggest emergent forms that entangle play and perception.
Opening: 1 October, 18h30
Iris Macculi, an amateur photographer from the Saint-Mathieu neighbourhood, presents a series of portraits and everyday scenes captured during years spent in Africa. Her images trace intimate moments, expressive gazes and gestures, and candid exchanges that counter prevailing media narratives. The exhibition offers a contemplative exploration of the continent’s visual diversity and human complexity, encouraging viewers to appreciate personal stories and the nuanced everyday realities that shape African life.
Ferdinand Hodler: Profession of Faith examines for the first time the spiritual dimension in the work of Ferdinand Hodler (1853–1918). Through some twenty-five paintings, the exhibition traces his youthful biblical readings, his rare biblical scenes, and his relation to the Reformation and the city of Geneva. It also considers how notions of creation and the order of nature informed his symbolist language and his meditative landscapes, revealing the interplay between religious themes and formal concerns in his painting.
Le Nouveau Réalisme brings together works by Arman, César, Christo, François Dufrêne, Yves Klein, Niki de Saint Phalle, Mimmo Rotella, Daniel Spoerri, Jean Tinguely and Jacques Villeglé to examine the movement’s poetic reworking of urban detritus. The exhibition presents sculptures, assemblages, collages and interventions that displace found objects from everyday contexts, juxtaposing industrial materials, advertising fragments and ready‑mades. Through material play and détournement, the show explores urban consumption, collective memory and the politics of visibility.
Opening (Geneva Art Week): Wednesday 16 September, 16:00
Jean-Étienne Liotard’s portraits of the imperial family, notably Marie‑Antoinette, include eleven drawings widely regarded as masterpieces. This project examines the identification of the sitter children and the works’ provenance through a cross-disciplinary investigation. In collaboration with the University of Oxford, the Idiap research institute and the School of Criminal Sciences at the University of Lausanne, historians of art and specialists in the eighteenth century join AI researchers and forensic experts to reveal new insights into authorship and history.
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