Thursday 14 January, 18:30

A Facade of Unanimity: The Whole versus the Individual

This lecture examines Ferdinand Hodler’s 1913 fresco Unanimity and the tension it encodes between collective gesture and individual conscience. Situating the work amid liberal democratic, Jacobin and authoritarian legacies, it investigates the painting’s contested reception — including its removal in 1914 — and asks whether Hodler depicted the Reformation as fostering pluralistic deliberation or critiquing enforced unanimity. By tracing links between Protestantism, republicanism and democracy, the talk shows how the Reformation served as a long-term catalyst for political controversy.

In French.

Cour de Saint-Pierre 10,
1204 Geneva
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Photo Credit: Ferdinand Hodler, “Unanimité”, 1912-1913, huile sur toile, 52,5 x 163 cm, signé en bas à droite : “F. Hodler”, Genève, Musée d’art et d’histoire, achat, 1939.

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