An evocative staged reading of excerpts from Murielle Szac’s serialized retellings of Greek mythology, performed by Katerina Apostolopoulou with musical accompaniment by Noëlle Reymond on double bass. Projected images drawn from the books accompany the narration, creating a vivid visual and sonic atmosphere. The programme highlights Le feuilleton d’Artémis and blends storytelling, music and illustration to introduce mythic tales to young and adult audiences.
In French.
Directed by Jérôme Bel, this collectively created theatre piece is written and performed by children aged 8 to 14. The work unfolds through improvisation, playful imagination and a celebration of creative freedom, inviting an immediate, joyful stage presence. The ensemble’s spontaneous scenes and open-ended dramaturgy emphasize collaboration and risk, offering spectators an intimate encounter with youthful authorship and theatrical experiment.
In French.
Now in its eleventh edition, Fête de l’Olivier stages dialogues between Arab and Mediterranean musical traditions and contemporary creation. The program gathers voices and instrumentalists such as Yasmine Hamdan, Trio Joubran and Retsina Cola, weaving intimate and powerful moments. Artists alternate between rooted repertoires and experimental approaches, inviting attentive listening and emotional resonance. The festival highlights improvisation, lyrical storytelling and cross-cultural collaboration.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
Coraline Parmentier presents Kitab al Kanuz, a film-concert blending piano, electronic timbres and Middle Eastern soundscapes. The pianist-composer performs on a Yamaha C7 and a Turkish-style keyboard (Yamaha PSR-5000), exploring quarter-tones and textures drawn from her albums Kitab al Kanuz and Aswat Bahr al Mayyit. Collaborator Bager Sen contributes mantra compositions and aksak rhythms, rooted in ancestral meters. The piece balances cinematic imagery and intimate ritual, inviting an immersive, pulse-driven listening experience.
Directed by Rémi Dufay, D’amour et d’eau fraîche is a stage adventure that celebrates movement, friendship and the unforeseen. Rémi Dufay and his ensemble probe margins and fragile frames, staging situations that slip away in a deliberately unsteady ceremony. The production blurs reality and magic, carrying the audience through a joyful, rocambolic wandering. A lively, generous performance that refuses stillness and favours continual transformation.
In French.
Veteran noise outfit Ramleh deliver an electric, rock-tinged set led by Gary Mundy on guitar, Stuart Dennison on drums, Anthony Di Franco on electric bass and Kevin Laska on synth. Their charged, abrasive sound blends distorted guitar, dense percussion and swirling electronics into a confrontational live experience. The evening continues with record selections by La Poya and Fuxy Lady, extending the event’s raw, underground energy.
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