24 September – 6 October

BLOW (Group Exhibition)

Stéphane Ducret presents Being Matters, an immersive series of recent paintings that map psyche and the living realm. The presentation gathers seven large to very large oil paintings on linen alongside a series of small-format works on wood. Through layered surfaces, deliberate errors and a dense pictorial process, Ducret explores invisible mechanisms of thought, memory and introspection. The works function as atmospheric studies of materiality and painterly gesture, charting states of mind and organic presence.

Rue de la Truite 4,
1205 Genève
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Photo Credit: Studio view, Pregny-Chambésy near Geneva, 2026

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19 – 27 September

Photographer Jörg Brockmann and ceramist Youlichka Fioramonti present a joint exhibition that transposes the human body onto porcelain through cyanotype processes. Brockmann’s images are photographed and printed onto film, then transferred onto light-sensitive porcelain plates before firing. Fioramonti’s ceramic practice engages this material translation, emphasizing the interplay of light, chemistry and fire. The works probe material transformation, the role of chance within analogue techniques and a dialogue between photographic form and crafted surface.

16 September – 10 October

Pierre La Police presents a retrospective of his work, spanning contemporary comics, digital art, installations, video and short film. Renowned for an absurdist sensibility and skewed humour, his practice blends hand-drawn sequences with experimental visual techniques and digital processes. The show traces recurring motifs—playful disruption, narrative fragmentation and visual experimentation—offering a layered survey of an artist who has expanded the language of comic art into installation and moving image.

17 September – 29 October

Artists Ana D and Noora K present a dreamlike photographic project probing transparency, memory and perception. Through layered photographs, lenticular prints and sculptural extensions of the image, the duo uses superposition, diffusion and formal alteration to reveal overlapping temporalities and interior images.
The works deploy spatial configurations where fragments of lived experience shift, associate and recombine, positioning photography as a territory of projection and transformation. Curated by Myriam Bongard‑Stadler, Dreams navigates the border between sleep and wakefulness.

2 July – 10 October

Minor Tides brings together three young photographers — Lina Geoushy, Sarah Jade Sullivan and Farren van Wyk — who centre portraiture in work that interrogates family histories and cultural heritage.

Through staged and documentary photographic portraits, the artists examine collective identity, colonial legacies and processes of reclamation: Geoushy revisits pioneering women in Egypt’s past; Sullivan documents youth in Saint Vincent and the Grenadines navigating economic and colonial afterlives; van Wyk stages family portraits that rework violent colonial iconographies and affirm mixed identities. The exhibition traces subtle currents of change beneath visible histories.

Opening: Wednesday 1 July, 18:00

27 June – 30 June

An expanded presentation of works from the Geneva School and the Lake Geneva region brings together paintings and drawings by Ferdinand Hodler, François Bocion, John Torcapel, Alexandre Perrier, Félix Vallotton, Alexandre Cingria and Jean Roll. The display traces regional artistic dialogues across centuries, from academic realism to symbolist and modernist approaches, highlighting technique, compositional daring and materiality. The collection has grown through acquisitions and generous donations, and includes a very rare painting executed in Geneva before 1650, now shown to the public.

2 September – 3 January

EXEM aux urnes – 40 Years of Political Posters brings together 40 political posters by Geneva-based illustrator EXEM between 1988 and 2023. Spanning nearly four decades of Swiss direct democracy, the exhibition explores the distinctive language of political posters at the intersection of graphic art, satire, and political commentary.

Through EXEM’s sharp and engaging imagery, the exhibition traces the political issues and communication styles that have shaped Swiss public life, and offers insight into the artist’s creative process and the stories behind his iconic posters.

Opening: Tuesday 1 September, 18:00

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