Reuniting after roughly thirty years, Dazzling Killmen return with a fierce, uncompromising sound that blends pre/math rock, post-metal, hardcore-punk and jazz-core textures. Their intense, tightly wound compositions unfold with brute energy and intricate rhythms. The evening also features a specially curated DJ set by Passage de Disques (Bamba Triste and Fuxy Lady), weaving experimental grooves that complement the live assault and expand the night’s sonic palette.
Choreographer and performer Marco D’Agostin fuses scientific lecture, musical comedy and intimate confession in Astéroïde. Posing as a paleontologist, he handles ancient bones while tracing the extinction of dinosaurs, but the scholarly frame cracks as memory, desire and song spill out. A solo that shifts between popular science, theatre and Broadway‑style numbers, it explores loss and survival with wit, physical precision and theatrical exuberance. Produced with Piccolo Teatro di Milano.
In French.
Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.
By Anton Tchekhov, L’Ours et la Demande en mariage is staged by Tibor Ockenfels and Flavie Tapparel in a spirited production that turns comedy into a vivid duel. The direction highlights the clash between conventions and desire, while set and lighting carve intimate, rhythmical confrontations. Through absurd yet touching quarrels the actors reveal tenderness beneath pride, exploring marriage, social rules and human foibles. Produced by Théâtre de Carouge with the support of Fondation Leenaards.
In French.
Christophe Godin and his team invite participants to take the stage, unleash roaring riffs, and trade blazing solos in an evening of raw live energy. Whether playing or watching, expect an electric, generous and unpredictable performance where musical passion is embraced wholeheartedly and with kindness. The repertoire offered encourages spontaneous collaboration, playful improvisation and an intense shared experience among musicians and audience.
Piano Festival Geneva 2026 brings together acclaimed pianists and emerging talents for a celebration of the piano’s rich repertoire, from classical masterpieces to contemporary works. Held at Geneva’s iconic venues, the festival features solo recitals, concertos, and special performances in an intimate and inspiring musical
Led by singer-composer Arash Barez, the Aseman Ensemble blends Afghan and Japanese voices to reimagine tradition through contemporary sound. The group features rubab master Kengo Saito, Mojtaba Habibi (co‑founder of Kabul Dreams), violinist Alia Païenda, guitarist Abi Rezai and guest vocalist Dawood Pazhman. Their music intertwines Persian poetry, modal textures and modern arrangements, creating intimate, luminous moments that shift into collective catharsis. Presented as part of the Blooming Afghanistan programme, the concert privileges cultural resilience and shared memory.
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