Friedrich Dürrenmatt’s La Visite de la vieille dame returns in a contemporary staging by Nathalie Sandoz. The Cie De Facto assembles six actors to enact a piercing examination of vengeance, collective guilt and abuse of power, reframed through a post-#MeToo lens. Laurent Muhleisen’s translation and a spare, incisive mise-en-scène foreground moral dilemmas and social complicity, alternating dark humour and tension to unsettle and provoke reflection.
In French.
Piano Festival Geneva 2026 brings together acclaimed pianists and emerging talents for a celebration of the piano’s rich repertoire, from classical masterpieces to contemporary works. Held at Geneva’s iconic venues, the festival features solo recitals, concertos, and special performances in an intimate and inspiring musical
Coordinated by Stan Breynaert, this double bill presents the personal musical projects of two emerging artists, Benjamin and Yliann. Their distinct worlds meet in an evening of original compositions and exploratory performances, guided by attentive external experts who offer critical feedback. The programme highlights creative risk, youthful experimentation and varied sonic textures, moving between intimate moments and more charged passages. The staging prioritizes close listening and a direct, candid exchange between performers and audience.
La Clique is a creative residency presenting four emerging stand-up artists whose distinct voices and comic styles interact in a tightly staged showcase. The season brings ensemble work, solo turns and improvised exchanges, mixing sharp observation, absurdist sketches and personal storytelling. The atmosphere is intimate, unpredictable and collaborative, highlighting the dynamics between performers and audience while exploring contemporary humour in multiple registers.
In French.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
Chronicle of a fleeting liaison, this intimate theatrical piece examines the fragile architecture of desire and memory. Through concentrated scenes, the company maps the emotional aftershocks of a brief relationship, shifting between candid dialogue and charged silences. Lighting and sparse staging heighten moments of intimacy, while an attentive ensemble navigates tonal shifts from tenderness to unease. The production favors close observation and emotional clarity, inviting reflection on attachment and the traces left behind.
In French.
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