Viewed as a Gutenberg moment of the twenty-first century, artificial intelligence is a disruptive innovation that is reshaping books and knowledge. This lecture examines how AI transforms the production and transmission of cultural and intellectual content, and how it can act as a powerful multiplier of young people’s talents. Participants will gain critical perspectives on societal implications and strategies to harness AI for rebuilding prosperity in Switzerland and Europe.
In French.
The Department of Ancient Studies at the Faculty of Humanities (UNIGE) is offering a series of public lectures dedicated to interactions, exchanges, and cultural dynamics in the ancient world. Faculty members and researchers will explore diplomatic relations, the movement of objects, religious and linguistic influences, and issues of identity at the crossroads of the Mediterranean and the ancient Near East.
In French.
The Albert Hirschman Centre on Democracy is pleased to invite you to Democracy Week 2026, a series of public events organised in collaboration with the Geneva Chancellery of State. Bringing together academics, policymakers, journalists, civil society actors and the wider public, this initiative creates a space for dialogue on the opportunities and challenges facing democracy today.
Authors Cléo Jansen and Tom Tirabosco present a probing investigation into the proposed future collider at CERN. Their book examines the scientific, ethical and societal questions raised by a project of this scale: the role of research, our relationship to technological progress and the wider environmental and social impacts. By meeting scientists, engineers, economists and philosophers, they juxtapose perspectives and invite reflection on the choices we make in the name of knowledge.
In French. Followed by a discussion.
This lecture explores musical composition for silent cinema, focusing on director and actress Musidora and the interpretive role of music in early film. Film-music specialists examine how scores are created, how motifs evoke emotion and support narrative, and the creative choices behind synchronising live sound with images. The session combines live performance, film excerpts and moderated discussion to reveal practical techniques and historical perspectives on scoring silent-era films.
Anna Desraux (actress and musician) or Jeanne Mermet (engineer and musician), together with Gabriel Cotte (limnologist and science communicator), combine artistic and scientific perspectives to guide participants through embodied explorations of lake dynamics.
The workshop examines Lake Geneva’s currents and prevailing winds through music and movement, inviting participants to become a drop of water and follow regional flows. It explores how wind-driven patterns shape circulation, fostering sensory understanding of limnological processes and collective motion.
These staged mock trials offer an immersive look at courtroom procedures through three distinct cases: an employment dismissal dispute, a proposal to convert a historic courtroom into a nursery, and a robbery with conflicting testimonies. The sessions let audiences observe judges, prosecutors, defence lawyers, experts and witnesses as they present arguments and assess evidence, revealing how judicial decisions are constructed. No prior legal knowledge is required; the programme clarifies legal reasoning and the dynamics of courtroom deliberation.
In French.
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