Thursday 24 September, 18:45

Requiem — Agneta & Co.

Requiem brings Agneta & Cie’s dancers together in a sculpted exploration of connection, sound and movement. Bodies become instruments and rhythm, composing an embodied, silent score that shifts between whispered intimacy and surging collective gestures. The choreography treats dance as shared memory, privileging breath, timing and close listening; sparse lights and close physicality shape a contemplative yet visceral atmosphere that invites communal attention and emotional resonance.

Avenue des Tilleuls 21,
Geneva, Switzerland
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Photo Credit: Gaëtan Bhend

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Thursday 24 September, 20:00

Four master impressionists reunite for a comic revue exploring Francophone identities and stereotypes. Yann Lambiel, Steeve Diamond, Fabian Le Castel and Laurent Chandemerle switch between sketches and songs, delivering rapid-fire character voices and musical parodies. The new show condenses more than a decade of collaboration into ninety minutes of sharp observation, playful rivalry and vocal virtuosity, using some 400 impressions to probe what unites these artists across Belgium, Switzerland, France and Québec.

In French.

Thursday 24 September, 20:00

Does having a Swiss Federal Railways (SBB/CFF) first-class travel card mean you’ve made it in life? What were the people smoking who designed the Isle of Man flag? Have you ever tried Didier’s tiramisu? What do you call those triangular dividers on supermarket checkout conveyor belts? Should we compost our boogers? Are you manly even if you can’t lift a heavy suitcase? Who actually likes fireworks? Can you name your child Ragusa? All these questions (except two) are addressed in tchoutchou.mp3, Blaise Bersinger’s new, not-so-improvised one-man show. Oscillating between stand-up, concert, and a stroke, the Lausanne-based comedian offers you a rather silly and reassuring (train?) journey for your digestive system. As Douglas-Wolfgang Bersinger, Blaise’s fictional uncle, said two years after his brain removal: “aaha è gah”

In French.

24 September – 7 October

Directed and performed by Eve Aouizerate, Amours subversives stages a wry, intimate interrogation of gender and desire. With performers Mathilde Lyon and Dylan Poletti, the piece pivots on a provocative premise — a young woman’s decision to abandon a nascent career for the tradwife ideal — and unfolds as a personal theatrical essay on power, intimacy and the contradictions of femininity in 2026. Sparse staging and candid narration create a fierce, tender atmosphere.

In French.

Thursday 24 September, 19:00

Led by choreographer and pedagogue Guillaume Siard, the junior Area Jeune Ballet de Genève responds to a contemporary exhibition by turning visual motifs into movement. The young ensemble investigates ways of seeing, using layers and superposition as a choreographic device. Sparse gestures, precise groupings and shifting light suggest new perspectives on the artworks, while an attentive staging balances playful experimentation with rigorous technique, creating an intimate, contemplative atmosphere that invites reflection and renewed visual attention.

22 September – 4 October

Directed by Nathalie Cuenet and written by Valérie Poirier, Dire adieu is performed by Compagnie Volodia. The piece stages fragmented conversations between a daughter and her mother, probing a quest for recognition and the fragile possibility of reconciliation. Its form recalls the codes of Greek tragedy, using heightened language and concentrated staging to explore memory, silence and unresolved grief. The ensemble creates a tense, intimate atmosphere that makes emotional rupture palpable.

In French.

24 – 25 September

FURTHER AFIELD

Directed by Jean‑François Sivadier, this blistering staging of Thomas Bernhard’s Maître dissects a privileged couple’s corrosive vanity and the ideological masks that sustain them. The production balances bitter comedy and dark drama, driven by a terse, language-centred aesthetic and an intense ensemble: Nicolas Bouchaud, Norah Krief, Frédéric Noaille, Juliette Bialek and Valérie de Champchesnel. The staging foregrounds verbal rhythm and theatrical momentum to unsettle and provoke reflection.

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