Ce soir les femmes se lâchent is a bold theatrical comedy that gathers female voices in a lively, confessional evening. The piece mixes sharp humour and intimate moments to explore identity, solidarity and the rituals of contemporary womanhood. Minimal staging and dynamic ensemble work allow rapid shifts between characters, balancing satire with tenderness. The audience is invited into a rhythm of comic monologues and collective scenes that celebrate resilience and complicity.
In French.
Amandine Casadamont and Madeleine Leclair present a live sound creation using vinyl records drawn from their distinct yet resonant collections. The performance weaves musical traditions of the Tout-monde with experimental, concrete and ambient practices, exploring texture, repetition and montage. Intimate and attentive, the set focuses on listening as a shared sculpted experience, moving between ritual echoes and electronic abstraction through delicate turntable gestures and live manipulation.
Choreographed by Valeska Romero Curiqueo, Pewma (Mapudungun for “dream”) weaves dance, performance, live sound and poetry to trace transmissions between bodies. The piece confronts peripheral, wounded and violently marked identities through ritualized gestures and sensual collisions, invoking Venus as a figure of omen, destruction and rebirth. Live violin, synthesizers and vocals shape a tense, luminous soundscape as bodies dissolve and reconstitute, staging desire, friction and collective memory.
Nos voisins artificiels stages a tense, intimate theatrical exploration of human relationships in the age of technology. A focused ensemble navigates shifting boundaries between empathy and estrangement through precise physicality, fragmented dialogue and luminous stagecraft. The piece blends dark humour with moments of quiet vulnerability, relying on carefully designed lighting and minimalist sets to heighten emotional textures. Audience members are invited to witness ambiguous intimacy and the uncanny rhythms of contemporary coexistence.
In French.
Opening the season, the Peace Philharmonic joins pianist and conductor Nikolay Khozyainov for an evening devoted to Mozart. Khozyainov’s virtuosic touch illuminates the drama and lyricism of the Piano Concerto No. 20 in D minor, while the orchestra delivers the grandeur and contrapuntal brilliance of the Symphony No. 41, ‘Jupiter’. The programme balances intimacy and orchestral power, offering refined phrasing, transparent textures and radiant elegance that bring Mozart’s expressive contrasts to life.
Le Truc sur le feu is a playful, offbeat fable that examines how the domestication of fire shaped human life. Written by Romane Nicolas, the piece stages two Paleolithic clans who wonder, clash and ignite as puppets by the Kokoschka tradition bring grotesque situations to life. With incisive humour and sharp theatricality, the show confronts ideas of progress, individuality versus community, animality and civilisation, offering a vividly staged reflection on the choices that set societies alight.
In French.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
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