PCC 2024 presents a city-wide parcours of contemporary ceramics by a collective of local and regional ceramists. The programme showcases functional and sculptural work, installations and experimental glazing techniques that interrogate surface, form and material memory. Through dialogues between craft and concept, the parcours highlights processes such as wheel-throwing, hand-building and mixed-media collaborations, inviting reflection on the cultural and tactile histories embedded in clay.
Antônia Dias investigates snakes through painting, sculpture and installation, exploring their vivid colours, geometric patterns and segmented forms. By linking aesthetic sensibility, biological observation and symbolic narrative, her work stages a tension between eroticism and metamorphosis. The exhibition assembles tactile materials and painted surfaces to create a destabilising perceptual field where colour, texture and form converge. Viewers are invited to linger within layered visual sequences that blur figurative and fabulatory registers.
Opening: Thursday 2 July, 18:00
Summer! is a group exhibition that brings together artists whose work reflects the energy and atmosphere of summer. Through painting, sculpture and mixed media, the show explores light, movement, transformation and escape, offering varied interpretations of the season as both an experience and a state of mind. Featured artists include Marcella Barceló, Virginia Leonard, Koen Taselaar, Akiko Hirai, Jackie Mulder and Pernille Braun.
Opening: Thursday 2 July, 18:00
Artists Chloé Delarue, Miriam Laura Leonardi and Gaia Vincensini, curated by Manuella Denogent, present a group exhibition that interrogates systems of representation, value and desire in contemporary society. Through sculpture, installation, photography, video, object-making and light-based interventions, the works reconfigure familiar forms and visual codes to reveal hidden hierarchies and emotional economies. The exhibition emphasises material experimentation and spatial strategies, inviting reflective engagement with how images and objects shape social meanings.
Opening; Thursday 2 July, 18:00
Photographer Florian Luthi’s Fantômes Météores is inspired by the 1954 wave of UFO sightings across France, especially along the Franco‑Swiss border. From one of these accounts he revisits childhood landscapes—mist‑shrouded forests, deserted villages and the Jura—and composes a photographic narrative where truth wavers and legends endure. The series uses long exposures, muted palettes and staged absence to probe memory, collective fear and the boundary between documentary and myth. A collaboration with Fondation Convergences.
Crossings brings together Swiss artist Maria Ceppi and Japanese artist Tami Ichino in a poetic dialogue exploring memory, transformation, and the hidden resonance of everyday forms. Through sculpture, painting, and assemblage, the artists reinterpret familiar materials and natural elements into evocative compositions that move between abstraction and recognition. Blending intuition, symbolism, and material experimentation, the exhibition creates immersive spaces where personal narratives intersect with broader reflections on nature, coexistence, perception, and the shifting relationship between humanity and the world around us. Hosted by GOWEN Contemporary, Crossings invites viewers into a contemplative journey where objects, landscapes, and emotions continuously evolve across forms, meanings, and states of being.
Géométries marocaines shows works from Ghizlane AGZENAÏ, Meriam BENKIRANE, Ines-Noor CHAQROUN, Yousef DOUIEB, Yacout HAMDOUCH and Younes KHOURASSANI, exploring geometrical forms and shapes in dialogue with Morocco.
Opening: Thursday 21 May, 18:00
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