19 – 27 September

Le Parcours Céramique · Corps · Carouge

PCC 2024 presents a city-wide parcours of contemporary ceramics by a collective of local and regional ceramists. The programme showcases functional and sculptural work, installations and experimental glazing techniques that interrogate surface, form and material memory. Through dialogues between craft and concept, the parcours highlights processes such as wheel-throwing, hand-building and mixed-media collaborations, inviting reflection on the cultural and tactile histories embedded in clay.

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Photo Credit: © Jonas Nicollin
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Photo Credit: © Jonas Nicollin

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2 – 30 September

Presented by the City of Lancy, this municipal exhibition examines the Voie verte as an emblem of soft mobility. A sequence of informational panels traces the route’s evolution, combining historical context, planning perspectives and reflections on everyday use. The display uses concise visual and textual elements to reveal how infrastructural changes shape mobility, landscape and social practices, inviting consideration of sustainability, accessibility and the ongoing dialogues between urban design and community life.

3 September – 30 November

Votive brings together Rachel Labastie and Robert Montgomery in an exhibition exploring desire, belief, memory and shared dreams for the future. Through sculpture, poetry, light, and site-specific installations, the artists reflect on peace, human connection, and the transformative power of art.

Opening: Wednesday 3 September at 18:00.

6 May – 10 January

Mi Mawai and Madzerokai present an immersive audiovisual installation born from a residency exchange between the Brazilian Amazon and Geneva. The work invites immersion in Baniwa cosmology through video, layered soundscapes, flutes, traditional singing and dance. Visitors are invited to lie in hammocks and on mats for contemplative encounters with projected landscapes and ritual sonic textures. The piece foregrounds ancestral knowledge, collective memory and multisensory modes of storytelling.

9 – 20 September

Students from the Centre de formation professionnelle en Arts (CFP Arts) present collective projects imagining Geneva in the second half of the twenty‑first century. Through garments, jewellery, ceramics, videos, comics, choreography, urban furniture, installations and digital or graphic works, they stage speculative scenarios—from utopian reinventions to dystopian provocations. Employing craft, performance, film and design strategies, the works probe technological, environmental and social futures, asking how everyday life, material culture and public space might be transformed.

Opening: Wednesday 9 September, 18:00.

29 January – 25 October

John M Armleder presents an interchange-based exhibition that foregrounds objects drawn from students’ suitcases. Through object-based works and subtle interventions, the show probes modes of observation, intimacy and collective memory. Personal belongings are rearranged as visual prompts that evoke histories, pedagogy and everyday cinematics. The artist’s restrained interventions invite reflection on how small domestic items circulate meanings and facilitate encounters, revealing how private narratives surface within a communal field of attention.

8 September – 18 December

Curated by the University of Geneva, the exhibition traces the journey of a grain of sand from extraction to its role in contemporary urban construction. Through research-driven installations and documentary displays, it examines extraction, global logistics, and the environmental and social impacts of sand mining. The show juxtaposes scarred landscapes and fragile ecosystems with the material demands of concrete and infrastructure, prompting reflection on alternative materials, reuse practices and how cities might be reimagined for genuine sustainability.

Guided tours: September 27 and 29, October 27, November 15

Family tours: September 30, November 11

Nuit des Bains: September 17, November 12

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