Led by conductor Daniele Gatti with pianist Mao Fujita, this symphonic programme presents Beethoven’s Piano Concerto No. 4 in G major, Op. 58, followed by the luminous Symphony No. 6 in F major, Op. 68, the ‘Pastoral’. The evening explores intimate dialogue between soloist and orchestra, balancing crystalline pianism with warm orchestral colours and naturalistic, evocative textures. The pacing and dynamic contrasts promise a contemplative, vividly atmospheric interpretation.
Choreographed and performed by Germaine Acogny and Gregory Maqoma, this evening pairs a powerful solo invocation of Joséphine Baker with Bantu, a response piece created with artists from Vuyani Dance Theatre and the École des Sables. The program interrogates memory, exile and inherited identity through raw physicality, layered gestures and stark theatrical lighting. Intimate and wide-ranging, the two works converse on reappropriation and resilience, shifting between solo intensity and communal choreography.
La Clique is a creative residency presenting four emerging stand-up artists whose distinct voices and comic styles interact in a tightly staged showcase. The season brings ensemble work, solo turns and improvised exchanges, mixing sharp observation, absurdist sketches and personal storytelling. The atmosphere is intimate, unpredictable and collaborative, highlighting the dynamics between performers and audience while exploring contemporary humour in multiple registers.
In French.
Conceived by conductor Marie Célérier, Symphon’Hip-Hop brings the Geneva Chamber Orchestra together with Timar, Aamo, Dakeez, Mibsy and Kamil Osmanov to forge a bold dialogue between classical textures and hip‑hop, soul and R&B. Orchestral timbres intertwine with beat-driven vocal lines, while a dance battle sets a kinetic frame for the evening. Curated with Planète Rouge, the project balances improvisation and composed structures, creating an exhilarating, urban‑classical soundworld that foregrounds rhythm and collective energy.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.
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