FURTHER AFIELD
On their fifteenth album «Où va nous ?», forty years after Tutti Frutti, Les Wampas revisit high-energy punk-pop with a blend of weary reflection and sudden bursts of fury. Led by Didier, the band shifts from a temporary abattement to an urgent need to wake up and let off steam. The result is jubilant and cathartic: raw hooks, driving rhythms and sing-along choruses that invite movement. Pamela Pogo complements the evening with inventive, energetic pop.
FURTHER AFIELD
Ce qui nous traverse, choreographed by Nawal Aït Benalla and co-directed with Abou Lagraa, is a visceral dance piece by Compagnie La Baraka that probes the body in an age of technology. Dancers Elie Fico, Alba Fracchia, Marion Frappat, Alfredo Gottardi and Rachele Pinzan navigate rhythmic patterns, tensions between constraint and freedom, isolation and encounter, and the shifting boundaries of embodiment. Olivier Innocenti’s compositions and Laïs Foulc’s lighting frame a powerful, poetic investigation of collective and intimate corporeality.
Music and songs by Stephen Sondheim with a libretto by George Furth and a French translation by Stéphane Laporte. This intimate, razor-sharp musical follows Robert (Bobby), a charming New Yorker confronting bachelorhood, friendship and the compromises of coupledom. The production blends incisive lyrics, lively choreography and a close ensemble cast to reveal joyful neuroses, hidden desires and fragile bonds. The staging alternates warmth and irony, inviting reflection on love, loneliness and the elusive art of staying together.
Sung in English; dialogues in French.
Directed by Fanny Brunet and Carole Schafroth, this theatrical adaptation of Daniel de Roulet’s novel follows ten young women who emigrate to Patagonia to found an egalitarian anarchist community. Using object theatre, the production blends storytelling, projected images and reflective passages to probe anarchist utopias, working-class conditions, migration and the marginalised role of women in history. The staging is intimate and inventive, inviting thought and emotion through tactile imagery and poetic gesture.
In French.
With an authentic, melancholic yet luminous voice, Dinaa transforms personal stories into songs. As singer-songwriter and composer she spent two years on the road alone with her guitar, giving more than a hundred concerts and sharing stages with renowned artists. Her debut album, Maison Vide, blends pop-rock, blues-soul and hip-hop–infused lyricism to map a raw emotional territory, singing of love, fractures and inner struggles with sincerity and restrained power.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
A playful, genre-blending evening led by Lord Betterave and featuring Mehdi Bousaidan and Charles Nouveau. The show mixes live DJ performance, satire and theatrical sketches, exploring urban nightlife, identity and absurdity. Dynamic staging and rhythmic transitions give way to intimate, high-energy moments, where music and spoken word converse. Produced by AB Prod Sàrl, the performance alternates live mixing, comic interplay and performative vignettes to blur the line between concert and cabaret.
In French.
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