Step into a playful storytelling performance built around a simple hat full of folded papers. Each paper hides a new tale from near and far; chosen at random with help from the audience, they are brought to life by Cathy Sarr. Children are invited to travel between dreams and reality through vivid voices, gentle frissons and laughter. Short theatrical stories spark imagination and introduce young listeners to the magic of theatre.
In French. Kids ages 8 and up.
Follow a gentle story that turns an ordinary walk into a shared adventure. As the tale unfolds, children discover how friendship can grow step by step. After the story, they can dive into a small workshop and make their own creation, using imagination, color, and simple materials. It is a cosy mix of listening, exploring, and making, with a calm rhythm that invites young minds to dream.
In French. Kids ages 4 and up.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
Five selections from Georg Philipp Telemann’s “Quadri” or Paris Quartets bring the art of musical conversation into focus. Italian vivacity and virtuosity meet the refinement of French dance and the contrapuntal ingenuity of German style. Chouchane Siranossian (violin), Karel Valter (traverso), Jonathan Pesek (viola da gamba), Hadrien Jourdan and Marc Alomar (continuo) shape a lively dialogue across sonatas, concertos and a suite. The programme features Concerto 1 in G major, Sonata seconda in G minor, the Second Suite in B minor, Sonata prima in A major and Concerto secondo in D major.
At the crossroads of theatre, mixed reality and technological installation, this immersive performance invites audiences to test the machine built by a scientist to tackle existential problems. Wearing mixed-reality headsets, spectators collectively explore the chaotic inner world of a person trapped by indecision. The experience moves between human vulnerability and artificial intelligence, until the machine itself begins to falter in the face of what it cannot fully understand.
Directed by Marie-José Malis, Retour au pays revisits Hugo von Hofmannsthal’s letters through a spare, lucid staging. Performers Alexandra Tiedemann and Juan Crespillo inhabit the returning merchant’s disorientation, while Aurélia Ansermet provides live music and sound. Bernard Héritier’s scenography and Jessy Ducatillon’s lighting shape moments of visual surprise, most poignantly a Van Gogh encounter that restores belief in the world. The piece refuses facile answers, offering theatrical lucidity and an austere emotional clarity.
In French.
La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.
In French.
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