Neal Maxwell, a member of the Clique du Caustic resident troupe, presents his first hour long solo in development. Under a misleading pyjama like appearance hides a high energy stand up performer whose jokes swing between sharply observed truths and delightfully absurd surprises. The set combines intimate, relatable observations with sudden madcap twists, delivering a strange and hilarious journey through his peculiar worldview.
In French.
Spirale Workshops 1 and 2 showcase a thirty-year practice of transmission, research and intergenerational exchange. Under the direction of Michele Millner (Atelier 1) and Cathy Sarr with Patrick Mohr (Atelier 2), the project blends devised creation and collective laboratories. Atelier 1 develops a decolonial, antipatriarchal and radical laboratory that dialogues with figures such as Lady Macbeth and Nina. Participants include Marie Bondolfi, Yves Cerf, Mael Godinat and Jeanne Pasquier.
In French.
Frank Zappa’s opera “200 Motels” is showing in Switzerland for the first time. This dynamic musical-theatrical piece is brought to life by director Daniel Kramer and conductor Titus Engel, featuring an impressive and diverse cast, including Robin Adams, Brenda Rae, and legendary guitarist Mike Keneally. Known for his iconic rock career, Zappa presents an experimental and psychedelic work that blends opera, rock, and contemporary classical music. “200 Motels” offers a chaotic and extravagant journey across the United States, mirroring the wild lives of Zappa and the Mothers of Invention.
In English with French subtitles.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.
In French.
But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.
They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”
In French.
Celebrating its 43rd edition, AMR Festival gathers a constellation of jazz and improvised-music projects over five days, offering 27 concerts that range from big-band workshops and modern-jazz sessions to intimate improvised sets and family programming. Artists and ensembles explore spontaneity, collective listening and rhythmic invention, with programming that favours interplay and sonic risk. Lighting and sound design shape shifting atmospheres, from hushed, introspective moments to exuberant, groove-driven peaks, transporting listeners through vivid, communal encounters.
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