Imen Lahmar turns personal history and keen observation into a sharp, playful stand-up performance about ‘francité’ and the wider world. A former media consultant, she mines career change, travels and intimate anecdotes for material, moving between self-deprecating confession and pointed cultural critique. Her delivery mixes rapid-fire jokes and sly sincerity, creating an engaging, conversational atmosphere that feels both candid and crafted.
In French.
Mon Renaud préféré is a subtle, intimate play that examines memory, desire and the small violences of everyday life. Through concentrated dialogues and careful physicality, the production sketches a portrait of a man caught between past attachments and present disquiet. Sparse staging and attentive sound design create a taut atmosphere where humour and melancholy coexist, inviting close emotional listening and reflection.
In French.
Directed by Jean Bellorini in collaboration with Yang Hua Theatre, this staging reimagines Antoine de Saint-Exupéry’s Le Petit Prince with the title character portrayed by a Chinese actor. The production blends French and Mandarin dialogue with live music by singers from China’s independent scene. Actors François Deblock and Marc Plas perform alongside a cast that shifts between a childlike prince, an ancient reciter of poems and fantastical cosmic inhabitants. The staging mixes song, poetry and intimate theatricality, exploring friendship and human connection.
In French and Mandarin.
Emergentia 2027 brings together the next generation of choreographers from Geneva and beyond in a two‑week festival of new performance and research. Conceived and produced by three Geneva organizations, the program juxtaposes site-specific creations, international residencies, open studios revealing works-in-progress, and embodied workshops and conversations. Performances feature artists such as Isam Abad Montalvo, Sami Lea Samira Bernath, Oscar M. Damianaki, Efthimios Moschopoulos and Soraya Leila Emery, alongside collaborative projects and emerging voices.
With PavillonADC & TU-Théâtre de L’Usine.
At the crossroads of theatre, mixed reality and technological installation, this immersive performance invites audiences to test the machine built by a scientist to tackle existential problems. Wearing mixed-reality headsets, spectators collectively explore the chaotic inner world of a person trapped by indecision. The experience moves between human vulnerability and artificial intelligence, until the machine itself begins to falter in the face of what it cannot fully understand.
FURTHER AFIELD
Mobula is an ode to the movement of water, a dance piece that reflects humanity’s relationship with the ocean. Directed by Jean‑Camille Goimard and performed by Pierre Theoleyre, Denis Terrasse and Anna Martin‑François, the choreography channels aquatic energy: floating beneath the surface, being tossed by waves, confronting the storm. Images are projected across a sail-like structure while Anne Martin appears as a dancer in the film, and narratives from people who live with the sea punctuate the work.
For this opening evening of the Lectures en résonance season, Espace Saint-Gervais pays tribute to Geneva writer Georges Haldas. Joël Waefler reads from Haldas’s evocative pages on Geneva’s café culture, while Miriam Fernández accompanies the text on guitar. Together, word and music conjure a vanished city of popular bistros, familiar faces and everyday life, all filtered through Haldas’s humane gaze and his gift for finding the pulse of “real life” in the ordinary.
In French.
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