27 October – 15 November

Focus Jeune Création

Focus Jeune Création brings together a new generation of Romand artists over two weeks, presenting five bold and hybrid performances that blur theatre, performance and live art. The program explores emergent writing and stage practices— from plateau-based text to pieces rooted in the real—offering layered, often indisciplinary approaches that question formats and invent languages for a transforming world. Accompanying meetings and discussions extend the works and open insight into creative processes.

Esplanade Alice-Bailly 1,
1207 Genève
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Photo Credit: DR

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Friday 6 November, 19:30

Conductor Daniele Gatti leads a program of Beethoven’s Symphonies Nos. 1, 4 and 5, tracing the composer’s journey from Classical roots to a daring, individual voice. Symphony No. 1 reflects Haydn and Mozart’s clarity while hinting at Beethoven’s temperamental drive. The luminous No. 4 unfolds singular inventiveness and elegance; the No. 5 embodies struggle and triumphant affirmation. The performance emphasises orchestral textures, dramatic contrasts and rhythmic propulsion, immersing listeners in the boldness, creativity and elemental power of Beethoven’s sound world.

29 October – 8 November

Text by Erri De Luca. Directed by Barbara Baker and F‑X Fernandez‑Cavada, Impossible unfolds after a man falls from a steep trail in the Dolomites. Blending investigation, memory and love letters, the staging probes guilt, betrayal and political history as two former members of the same terrorist group confront a shared past. The production balances documentary clarity and poetic fragments, offering a tense, intimate reflection on vengeance and the echoes of the 20th century into the present.

In French.

29 October – 31 December

La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.

In French.

Friday 6 November, 21:00

This trio brings together three leading improvisers from Chicago whose music resonates far beyond the United States. Through attentive listening and deep rapport they create spontaneous, evolving soundscapes where every gesture reshapes the moment. Their approach blends intense interplay, extended textures and rhythmic surprise, moving between delicate silence and powerful eruptions. The performance presents material from their debut album Dial Up on Aerophonic Records, offering an immersive, unpredictable exploration of contemporary improvisation.

Friday 6 November, 18:15

Part of Recluses Fest #10, this high-energy bill brings together Tagada Jones, Darcy and Bob’s Not Dead for an intense evening of punk and rock. Each band offers raw riffs, driving rhythms and urgent vocals, moving between anthemic choruses and fast, uncompromising grooves. Expect a compact, visceral set-up where community spirit and DIY ethos meet seasoned stagecraft, showcasing both local vitality and headline force.

28 October – 8 November

Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.

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