Directed by Lou Ciszewski, Amours enfouies follows three performers — Françoise Paca Gautier, Liv Van Thuyne and Pascale Vachoux — as they excavate the memory of a vanished summer cabaret. Blending ritual, live music (Léon Boesch, Romane Chantre, Alexis Gfeller) and emotional archaeology, Anna Popek’s set and Luc Gendroz’s lighting bring back ghosts and overlooked fragments. A sensitive, poetic piece about the traces of the past and the emergence of an unexpected new bond.
In French.
Two Point Oh is an electric drama-comedy that probes love, loss and the unsettling presence of artificial intelligence. The staging blends sharp dialogue, moments of dark humour and pulsing audiovisual design to blur boundaries between human memory and digital simulation. Performers navigate intimate emotional terrain while the production explores grief’s persistence in a technologised world, alternating tenderness and bite to leave audiences both moved and unsettled.
In English. French subtitles.
Nos voisins artificiels stages a tense, intimate theatrical exploration of human relationships in the age of technology. A focused ensemble navigates shifting boundaries between empathy and estrangement through precise physicality, fragmented dialogue and luminous stagecraft. The piece blends dark humour with moments of quiet vulnerability, relying on carefully designed lighting and minimalist sets to heighten emotional textures. Audience members are invited to witness ambiguous intimacy and the uncanny rhythms of contemporary coexistence.
In French.
Paul de Saint Sernin’s stand-up programme, written and performed by the artist, blends sharp comedic timing with candid memories of adolescence, humiliations and personal fears. Directed by Grégoire Dey, the staging relies on intimate storytelling, subtle physicality and pared-down mise-en-scène to turn vulnerability into laughter. The show plays with rhythm and self-questioning, offering a warm yet probing portrait of growing up in a voice both confessional and wry.
In French.
Rob Mazurek and Chad Taylor reunite as Chicago Underground duo for a spacious, exploratory set that blends trumpet, drums and electronics. The multi-instrumentalists draw on folk-rooted futurism and open improvisation, weaving intimate trumpet/drum duets with pulses of rhythmic electronic textures. Presented in the context of their first duo album in eleven years and their debut on International Anthem, the performance balances lyricism and kinetic drive, inviting immersion in a porous, forward-looking jazz sound.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Audrey Baldassare presents a sharp, intimate stand-up set that blends observational humour, personal anecdotes and keen social insight. On stage she navigates everyday absurdities with playful timing and precise delivery, moving between laugh-out-loud moments and quieter, reflective beats. The show balances warmth and edge, inviting the audience to reconsider small truths through a fresh comic perspective. Minimal staging and close interaction keep the focus on voice, rhythm and storytelling.
In French.
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