Nuit des Bains presents an evening when the city’s contemporary art circuit opens as a collective exhibition. Emerging and established local and international artists activate spaces with installations, performances, painting, photography and video, offering a multifaceted survey of contemporary practices. The event emphasizes encounter and the public imagination, revealing tensions between intimacy and urban spectacle and questioning how art inhabits shared environments.
The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
Painter Elise van den Brand examines figurative painting and the dynamics of the gaze in a new body of work. Through cropped portraits and fragmentary compositions she interrogates the tension between how subjects intend to be seen and how viewers project narratives onto images. The exhibition draws on Sartre’s notion of le regard, explores social armour as protective presentation, and probes the instability that emerges when contextual markers are removed, exposing ambiguous subjectivities.
Artist Lou Cohen presents a body of work that dialogues between still and moving images. Working with dry pastel, oil paint and short films, she stages interactions within the same installation, confronting static representation with motion. Her practice employs irony and darkly comic tones to translate everyday reality and prompt critical reflection. The works explore perception, narrative tension and the theatrical potential of materials, inviting careful viewing and reconsideration of what images can reveal.
Opening: Thursday 4 June, 18:00 (Salle Crosnier)
Meeting with the artist: Thursday 25 June, 18:00 (Salle Crosnier)
Artist Gautier Hardy presents ‘Kids Garden’, a series of works that inhabit a territory between childhood and the adult world. Through open diary fragments and an instinctive plastic language that draws from art brut, street art and neo‑expressionism, the exhibition brings together paintings, drawings and mixed‑media pieces. The works explore memory, play, and the uneasy passage to adulthood, using gestural mark‑making and raw materials to evoke intimacy and emotional intensity.
This exhibition explores the careers of Édouard Naville, Switzerland’s pioneering Egyptologist, and his wife Marguerite Naville, whose contributions alongside him are now recognised in their own right. Through archival documents, excavation records and pharaonic objects, the presentation illuminates their archaeological practice and Marguerite’s role, while situating their work within the political, religious and humanitarian commitments that shaped scholarly life at the turn of the twentieth century.
In French and in English.
The Miraculous Geneva is a group exhibition that brings together contemporary Geneva-based artists in tribute to the late artist Daniel Orson Ybarra. Featuring works by Stéphane Ducret and other renowned local artists, the exhibition celebrates the diversity and vitality of Geneva’s contemporary art scene through painting, sculpture, and multidisciplinary practices.
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