Directed by Gabriel Álvarez, Le Repas revives two flagship pieces from his company’s repertoire for the 40th anniversary of Studio d’Action Théâtrale and pays homage to playwright Valère Novarina. A cosmogonic feast staged with the audience at table, the performance devours the world through ritual, poetry and corporeal presence. It examines human voracity, collective memory and the fate of what we ingest, offering a sensorial, intimate and occasionally brutal theatrical journey.
In French.
Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.
Cosmic Impro and Compagnie des Murmures join forces for a double-bill of high-energy improvisation. Four performers compete in a chaotic Battle Royal of mini-games and absurd challenges, where audience choices steer the action. Later, Sokkyo, an improvised shōnen, channels epic fights, friendship and soaring emotion with punchy physicality and comic timing. The evening combines playful competition and heroic spectacle, offering visceral thrills and collective laughter.
In French.
Celebrating Chopin’s lyricism, passion and refinement, this festival presents a sequence of solo recitals, chamber concerts and a dedicated masterclass. Performers include pianists Paweł Wakarecy, Mertol Demirelli, Adam Kałduński, Krzysztof Wierciński and Mateusz Krzyżowski, alongside cellist Marcin Zdunik and the Quintette Éphémère. The programming favours intimate pacing and refined rubato, with attention to phrasing and tonal colour. Expect moments of poetic introspection and virtuosic brilliance, where clear, luminous sound and careful dynamics shape a contemplative, emotionally direct experience.
For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.
In French.
Three improvisers and composers — Maël Godinat (piano), William Jacquemet (trombone) and Pierre‑François Massy (double bass) — present a program of original material and carefully chosen covers. Arrangements emphasize close harmonies, intimate interplay and attentive listening, letting sparse textures open into rich, resonant chords. The trio’s sound balances lyrical phrasing with rhythmic subtlety; lighting and silence shape moments of suspended time, inviting a contemplative, warm atmosphere that reimagines harmonic conversation in the moment.
Amor follows a forty‑something couple, attached yet weary from routine, confronting unspoken truths and the pull toward emancipation. This intimate, humanist theatre piece probes love’s contradictions—between inherited models and contemporary norms—through subtle staging and concentrated performances. Marjolaine Minot and Guillaume Prin embody the emotional shifts with delicate nuance, drawing the audience into a relational interior where choices, desire and restraint collide.
In French.
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