La Simone offers a tender portrait of a grandmother in the countryside, where small gestures and patient rhythms shape memory and presence. The piece favors sparse, attentive staging, subtle soundscapes and quiet physicality to reveal the richness of ordinary moments. Performers inhabit gestures and silences with warmth and uncanny clarity, inviting a reflective, emotional listening. The result is an intimate theatrical poem about care, time and the traces we leave behind.
In French.
Directed by Céline Goormaghtigh and written by Anne Berest, LA VISITE probes maternal instinct with sharp humour and urgent intensity. In a compact domestic setting, a young mother at the limits of endurance confronts visitors while her defenses dissolve; a trio of actresses whirl and collide, delivering a caustic torrent of language and revealing movement. The work explores ‘matraissance’—the birth of motherhood—balancing lucidity, rage and tenderness to unsettle familiar myths about maternal bliss.
In French.
Marie Desroles blends sharp social critique and tender humanity in a stand-up that probes mental health, social inequalities and female sexuality. With a mix of toughness and vulnerability, she breaks conventions through candid storytelling and biting humour, balancing acidity and sweetness. The performance feels authentic, intimate and generous, offering piercing observations wrapped in warmth. Expect bold takes, emotional honesty and a playful yet incisive voice that unsettles and embraces in equal measure.
In French.
Based on sketches by Devos, Ribes, Sylvie Joly, Palmade and Martinez, this theatrical revue sketches the comic microcosm of apartment life. Short scenes expose domestic tensions — marital rows, overwhelmed parents, an unpredictable grandmother and holiday disasters — with sharp observational wit and precise farcical timing. The ensemble slips into vivid characters, combining spoken comedy and physical nuance to reveal tenderness beneath the chaos, offering a warm, incisive portrait of neighbours and family.
In French.
Celebrating Chopin’s lyricism, passion and refinement, this festival presents a sequence of solo recitals, chamber concerts and a dedicated masterclass. Performers include pianists Paweł Wakarecy, Mertol Demirelli, Adam Kałduński, Krzysztof Wierciński and Mateusz Krzyżowski, alongside cellist Marcin Zdunik and the Quintette Éphémère. The programming favours intimate pacing and refined rubato, with attention to phrasing and tonal colour. Expect moments of poetic introspection and virtuosic brilliance, where clear, luminous sound and careful dynamics shape a contemplative, emotionally direct experience.
An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.
In French.
Directed by Gabriel Álvarez, Le Repas revives two flagship pieces from his company’s repertoire for the 40th anniversary of Studio d’Action Théâtrale and pays homage to playwright Valère Novarina. A cosmogonic feast staged with the audience at table, the performance devours the world through ritual, poetry and corporeal presence. It examines human voracity, collective memory and the fate of what we ingest, offering a sensorial, intimate and occasionally brutal theatrical journey.
In French.
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