To mark 30 years of Hortus Botanicus Helveticus, this exhibition presents the diversity and conservation work of Swiss botanical gardens through thirty panels. Each display showcases living collections and highlights the scientific, conservation and educational roles gardens play in safeguarding plant biodiversity. The presentation combines photographic and interpretative elements with botanical specimens to reveal how gardens document, protect and communicate the value of plant life.
Artists Chloé Delarue, Miriam Laura Leonardi and Gaia Vincensini, curated by Manuella Denogent, present a group exhibition that interrogates systems of representation, value and desire in contemporary society. Through sculpture, installation, photography, video, object-making and light-based interventions, the works reconfigure familiar forms and visual codes to reveal hidden hierarchies and emotional economies. The exhibition emphasises material experimentation and spatial strategies, inviting reflective engagement with how images and objects shape social meanings.
Opening; Thursday 2 July, 18:00
Painter Éric Alibert presents a sensitive, meditative body of work inspired by the banks of the Arve. Using Chinese ink and watercolor on Japanese papers, his small-format writings of the living observe the discreet presences of urban wildlife. Through careful observation Alibert explores passages between interior and exterior, appearance and disappearance, proposing a contemplative, ecological gaze that brings wildness into the city and invites reflection on fragility and coexistence.
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
Chris Lovasoa Kauffmann presents a new body of work that explores architectural form and symbolic resonance through sculpture, painting and installation. Minimal geometries and textured surfaces negotiate scale and monumentality, while layered materials and subtle color shifts invite reflection on construction, memory and cultural lineage. The works balance rigorous formalism with tactile evidence of process, proposing an austere yet intimate meditation on how built forms shape perception and collective narratives.
Opening: Thursday 2 July, 18:00
This exhibition brings together archival photographs, historical medical objects and contemporary works to examine how illness is represented and embodied. Through photography, installation and mixed-media pieces, artists probe how bodily experience resists language and is translated into image, narrative and presence. The presentation includes a new work by Sabrina Röthlisberger Belkacem and is curated by Sara Petrucci with scenography by OnLab, creating a dialogue between archives and recent artistic responses.
Inner Light is a Swiss artistic collective founded by Kim Coussée, Eliott Villars and Gaia Vincensini that works at the intersection of contemporary art, fashion and publishing. Their transdisciplinary practice combines printmaking, textile, sculpture and performance to question the circulation of printed images across unconventional supports. For this project they invited artist Lyna Azwaw to stage an edition inspired by documents and publications found in archives. The presentation includes performances and contributions by Js Donny, Rosalie Dubois and Leandro Russo.
Opening: Thursday 9 July, 20:00 – 22:00
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