4 June – 9 August

Alibert and the Arve: Writings of the River

Painter Éric Alibert presents a sensitive, meditative body of work inspired by the banks of the Arve. Using Chinese ink and watercolor on Japanese papers, his small-format writings of the living observe the discreet presences of urban wildlife. Through careful observation Alibert explores passages between interior and exterior, appearance and disappearance, proposing a contemplative, ecological gaze that brings wildness into the city and invites reflection on fragility and coexistence.

Place de Sardaigne 2,
1227 Carouge
Photo Credit: DR
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Photo Credit: DR

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Opening: Wednesday 27 May, 18:00
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Dream Up brings together modern, post‑war and contemporary works that materialize imagination, memory, fantasy and inner vision across painting, sculpture and mixed media. The presentation juxtaposes iconic figures—Pablo Picasso, Marc Chagall, Willem de Kooning, Jean Dubuffet, Roy Lichtenstein, Yayoi Kusama, Niki de Saint Phalle, Tom Wesselmann, Manolo Valdés and Jaume Plensa—with contemporary voices including Andy Denzler, Fred Eerdekens and Feng Xiao‑Min. New works created for the occasion converse with historical pieces to generate poetic, visually intense dialogues.

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Opening: Thursday 7 May, 16:00 – 21:00

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Featuring pieces by Faye Toogood, Studiopepe, Domingos Totora and Clément Thévenot, DOMUM invites you to discover their new exhibition, taking inspiration from food shapes and colors: Bread&Butter.

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Afro‑Caribbean Stories brings together works by Ivonne González Núñez and Laura Arminda Kingsley that weave narratives of memory, identity and visibility rooted in Afro‑Caribbean cosmologies. Through photography, writing, performance, painting, digital imagery and sculpture, the artists examine heritage, resistance, creolisation and the interconnections of the living. The exhibition pairs intimate archival gestures with experimental material practices to reveal layered histories and speculative modes of belonging.

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The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

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