Gaël Faye blends rap, chanson and literature in a poetic, stage-focused performance that navigates memory, identity and resilience. His intimate, narrative-driven songs combine spoken-word intensity with melodic warmth, supported by tight arrangements that alternate acoustic intimacy and subtle electronic textures. Expect a journey that balances emotion, celebration and communal listening, where storytelling and rhythmic invention meet with refined musicality.
In French.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
British comedian Jimmy Carr returns with Laughs Funny, a sharp stand-up show built on rapid, dark one-liners and razor-tight timing. His delivery alternates between observational punchlines and bold, provocative twists, creating an electric, confrontational atmosphere where laughter and discomfort collide. Minimal staging keeps the focus on voice and rhythm, while the comedian’s precise pacing and stagecraft shape a haunted, high-energy comic experience.
In English.
Students from the PréPro programme at eMa present their final musical projects to a public audience and a professional jury. This evening of concentrated performance highlights stagecraft, instrumental technique and creative development: short sets range from Concorde’s alternative rock to Matilde’s pop/Franco‑Italian repertoire, and a set by Paul Sculati. The concert offers a direct insight into each artist’s evolution, focusing on musical identity and live presence.
Félix Ringaby, 22, is the new standout of Romandy stand-up. Laconic yet razor-sharp, he returns after a season of writing and testing with his first solo hour in development. With a rare gift for structuring jokes, he mines the ironies of daily life through self-mockery, delivering bursts of conflicting thoughts with surgical timing. Already a Radio Télévision Suisse contributor and finalist at Montreux Comedy and Morges-sous-Rire, he was named “Nouveau Visage” for Juste pour Rire in Montréal and Québec.
In French.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
Adapted from Fabcaro’s comic, “Zaï zaï zaï zaï” is a live radio play that is both witty and sharp. It tells the story of a man who becomes public enemy number one after forgetting his loyalty card at the supermarket. This performance cleverly examines collective behavior, security overreach, and media influence, blending social satire with light-heartedness to invite laughter and thought. Presented by Théâtre de l’Argument, it features inventive direction by Paul Moulin and precise sound design by Christophe Danvin, with a diverse cast including the voice talent of Serge Biavan.
In French.
Please adjust your criteria to see more results.
Culture, curated weekly.
Event removed from your CoolAgenda.
Your password has been reset successfully. You can now log in with your new password.
We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.
Please check your inbox for a verification email to complete your sign-up.
