Written by François Descraques and set to music by composer PV NOVA, Fabuleux! is a lyrical musical inspired by a true story. Through the eyes of young Henry Dickens, enchanted shadow-puppet sequences and intimate songs bring Hans Christian Andersen’s tales to life. The staging blends nostalgic domestic scenes with playful, fairy-tale atmospheres, tracing a boy’s emotional journey as imagination becomes a source of inner strength and growth.
In French.
Jaune is a fresh stage piece created and performed by recent graduates Mathis Josselin and Gabrielle Pialoux. This first collaboration explores the many faces of the colour yellow — joy, friendship, tenderness, desire and its more ambivalent edges — with an intimate, playful and sincere theatrical language. The creators blend minimal staging and tactile gestures to produce a concise, evocative hour of shared emotion and quiet humour.
In French. Created for the Fête du théâtre 2026.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Amor follows a forty‑something couple, attached yet weary from routine, confronting unspoken truths and the pull toward emancipation. This intimate, humanist theatre piece probes love’s contradictions—between inherited models and contemporary norms—through subtle staging and concentrated performances. Marjolaine Minot and Guillaume Prin embody the emotional shifts with delicate nuance, drawing the audience into a relational interior where choices, desire and restraint collide.
In French.
The Icelandic quartet ADHD presents their tenth album, ADHD 10, continuing an exploration between jazz, ambient, rock and folk. Simon Frith describes it as “a desolate quietude… Nordic, neither urban jazz nor rural folk.” Their immersive, sensory sound transcends genres, offering an intense concert blending new material with signature pieces. The group—Óskar Guðjónsson (saxophones), Ómar Guðjónsson (guitar, pedal steel, bass), Tómas Jónsson (piano, keyboards) and Magnús Trygvason Eliassen (drums)—creates spacious, contemplative textures that evolve into powerful, lyrical climaxes.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
With caustic wit and sharp storytelling, Yoanna Sallese explores how to take life lightly amid pressures and setbacks. Her stand-up blends observational comedy about love, ghosting, failure and fragile convictions with a warm, resilient voice that invites laughter and release. A former journalist turned comedian, she was selected by Le Point-Virgule and featured at Montreux Comedy Pop Up; she has opened for Thomas Wiesel and Marina Rollman.
In French.
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