Anne Cahen’s Moment de qualité is a sharp, character-driven stand-up show that dissects the sometimes absurd world of work, the inner life of introverts, life choices and the peculiar rituals of television game shows. Cahen combines dry observation, precise timing and warm stage presence to turn everyday oddities into comic revelations. Her writing, recognised with the SACD 2024 prize, balances satire and tenderness, mapping modern anxieties with wit and empathy.
In French.
Led by conductor Raphaël Merlin and featuring violinist Nemanja Radulović, this concert pairs Prokofiev’s luminous Second Violin Concerto with Brahms’s First Serenade. Radulović’s electrifying stage presence and stratospheric technique bring out the concerto’s ironic brightness, while the serenade unfolds with warm lyricism and folk-tinged dance rhythms. The Geneva Chamber Orchestra shapes intimate textures and bold crescendos, sculpted through attentive phrasing and dynamic contrasts to create a colourful, emotionally rich opening to the season.
Directed by Nathalie Cuenet and written by Valérie Poirier, Dire adieu is performed by Compagnie Volodia. The piece stages fragmented conversations between a daughter and her mother, probing a quest for recognition and the fragile possibility of reconciliation. Its form recalls the codes of Greek tragedy, using heightened language and concentrated staging to explore memory, silence and unresolved grief. The ensemble creates a tense, intimate atmosphere that makes emotional rupture palpable.
In French.
Chronicle of a fleeting liaison, this intimate theatrical piece examines the fragile architecture of desire and memory. Through concentrated scenes, the company maps the emotional aftershocks of a brief relationship, shifting between candid dialogue and charged silences. Lighting and sparse staging heighten moments of intimacy, while an attentive ensemble navigates tonal shifts from tenderness to unease. The production favors close observation and emotional clarity, inviting reflection on attachment and the traces left behind.
In French.
Cinzia Cattaneo presents a residency of sharp, observational stand-up with new material and a rotating guest comedian every two weeks. Her candid delivery and precise timing create intimate, laugh-filled situations that probe everyday absurdities and personal anecdotes. The performances combine scripted bits and spontaneous exchanges with the audience, offering a direct, charismatic stage presence and an evolving set that highlights both solo work and collaborative comic interplay.
In French.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Frank Martin’s opera La Tempête, after Shakespeare with a libretto by August Wilhelm von Schlegel and Johann Ludwig Tieck, returns in a new French-language production. Conductor Thierry Fischer leads the score while director Netia Jones stages a striking conception that makes electricity the source of Prospero’s powers. The cast brings poetic intensity to the island’s drama—Miranda, Caliban and the spirit Ariel—blending vocal nuance, atmospheric design and inventive staging to revisit exile, magic and reconciliation.
In French.
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