Presented by Greta Gratos, Arboretum #32 brings together an eclectic programme of live performances by Ubuntu Live, AZAR, Ignat Khlobystin, Un coglione e due musicisti, El Flecha & Friends and FanzinoGE. The evening blends experimental sound, improvisation and collaborative energy, creating intimate moments and bold sonic contrasts. Visual identity by Manon Fourdrignier complements the performances, reinforcing a DIY, communal atmosphere focused on exploration and spontaneous interaction.
Students present a series of performances showcasing pieces developed during the academic year. The programme includes solo and ensemble works across music, theatre and experimental forms, emphasising collaborative creation, stylistic exploration and stagecraft. Intimate presentations alternate with more elaborate stagings, highlighting movement, sound design and dramaturgy. The series offers a window on emerging talent and the diverse approaches fostered in the teaching environment.
Ana Godefroy offers a sharp, intimate solo performance that probes visibility, identity and the act of being seen. Mixing caustic wit and quiet confession, the artist invites the audience into a claustrophobic encounter that blurs autobiography and theatrical fiction. The staging focuses on presence, voice and timing, creating a tense emotional landscape that oscillates between irony and vulnerability.
In French.
Directed by Claude Vuillemin, Yasmina Reza’s Trois versions de la vie assembles four performers, Laurent Deshusses, Marie Druc, Sophie Lukasik and Nicolas Rossier, in a taut, virtuosic staging. Lighting by Rinaldo Del Boca and costumes by Sylvie Lépine shape shifting domestic realities as the play probes how social veneer fractures intimate relationships. This production by Les Amis – Le Chariot demands precision and emotional nuance from its cast.
In French.
Brass and woodwind textures weave through a varied concert programme led by the Harmonie de Genthod-Bellevue. The community ensemble explores classical transcriptions, contemporary wind repertoire and spirited marches, balancing refined ensemble colour with lively rhythmic drive. Expect rich harmonies, precise articulations and moments of soaring lyricism as the musicians shape dynamic contrasts and communal energy. An immersive musical experience that celebrates wind-band tradition and collective artistry.
Choreographers and performers Katerina Andreou and Mélissa Guex devise SHOUT TWICE as a physical, hybrid concert-performance where the body and voice become material. The piece transforms raw cries into collective energy, mixing movement, vocal textures and improvised dynamics. Intense and immediate, the work invites shared ritual, opening space for excess, play and communal release. The staging is nomadic and non-verbal, driven by bodily resonance and embodied sound.
Conductor Ferran Gili-Millera leads the municipal wind ensemble through a vivid, eclectic programme that spans cinematic themes, jazz classics and contemporary wind repertoire. The concert juxtaposes works by Thierry Deleruyelle, Marcel Peeters and Jacob de Haan with beloved film melodies from Joe Hisaishi, John Williams and Hans Zimmer, plus jazz arrangements evoking Duke Ellington. The band’s precise dynamics and warm, sustained sonorities shape an emotional arc from playful lyricism to sweeping heroic fanfares, placing the orchestral wind palette at the centre.
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