Choreographers and performers Katerina Andreou and Mélissa Guex devise SHOUT TWICE as a physical, hybrid concert-performance where the body and voice become material. The piece transforms raw cries into collective energy, mixing movement, vocal textures and improvised dynamics. Intense and immediate, the work invites shared ritual, opening space for excess, play and communal release. The staging is nomadic and non-verbal, driven by bodily resonance and embodied sound.
Power struggles take center stage in this political and human narrative, offering a sharp reflection on legitimacy, chaos, and the quest for identity. The production incorporates a modular set design with models, puppetry, and contemporary projections to craft an epic theater experience that blends comedy and tragedy, rooted in past and present crises.
In French.
An interactive improvised fairy-tale performance where audience choices shape each adventure. The Niffler—mischievous, curious—awakens stories between dreams and imagination, prompting performers to invent characters, places and enchantments on the spot. Actors move fluidly between playful wonder and small trials, guided by spontaneous narrative turns and sparse, whimsical sound cues. Lighting and simple props suggest shifting worlds, creating an intimate, participatory atmosphere that invites laughter, surprise and collective storytelling.
Choreographed by Riccardo Ardusso with supervision by Ilaria Giardina, this Swiss premiere fuses contemporary dance and modern orchestral repertoire. Renowned Ensemble Sinfonietta Bern anchors the programme with music from 20th and 21st‑century composers, while Ardusso’s choreography translates sonic textures into sculpted movement. The creative approach blends lyrical neoclassical vocabulary with contemporary gestures, framed by immersive lighting and sound design that shape shifting moods. The result is a tactile, introspective evening where music and bodies coalesce into a new perception of neoclassical language.
Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.
In French.
Curated by Frédéric Post and Sonia Perego, MOS ESPA offers an unplugged, immersive festival framed as a barefoot, cocoon-like listening experience. The program features performances by Léna Hiriartborde, Yann Leguay, Julian Sartorius, Pali Meursault and others, blending field recordings, amplified objects, acoustic traditions and electronic textures. Site-specific installations and wooden instruments crafted by a participating maker lend a handcrafted intimacy, while sparse lighting and spatialised sound create close, contemplative atmospheres that favour shared, intense musical moments.
Mos_Espa is a project best experienced barefoot, in socks, slippers, or leather boots. You will be asked to leave your shoes and phone in the cloakroom. For this edition without electricity, credit card payments will not be accepted; cash only.
A solitary man ventures through the desert in search of Prometheus, blaming the gods for igniting a consuming fire within each human. This monologue delves into the connections between ancient tragedy and contemporary turmoil, examining desire and existence through the lenses of love and creation, all in pursuit of an illuminating fire that does not consume.
In French.
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