16 – 20 September

Geneva Art Week 3

Geneva Art Week is a vibrant celebration of contemporary art that brings together galleries, museums, foundations, independent spaces, and artists through an inspiring program of exhibitions, performances, studio visits, talks, screenings, and immersive experiences. Designed as a citywide journey through creativity, the event transforms Geneva into an open platform for artistic discovery, encouraging dialogue between the public and the local and international art scenes in a dynamic, festive, and accessible atmosphere.

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Photo Credit: DR

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8 May – 27 September

Vladimir Kartashov presents site-specific installations that unfold across historic island spaces, exploring temporal sequences and memory. Through sculptural interventions, architectural adaptations and subtle interventions in sacred interiors, the artist stages a choreography of objects and light that reconfigures perception of place and time. The series juxtaposes material rigor with ephemeral gestures, inviting reflection on duration, ritual and the layered histories embedded in built environments.

Opening:  Friday 8 May, 19:30
In the presence of the artist
Musical performance by Manuel d’Amico Principle Double Bass of the Orchestra Regionale Filarmonia Veneta

9 May – 29 August

Measures of Infinity brings together works by Susanna Bauer, Frankie Gao and Carol Prusa in a contemplative exhibition of drawings, installations and meticulously crafted objects. Bauer transforms fragile leaves into intricate, almost meditative compositions; Gao offers pared-back drawings and open installations that evoke cosmic structures; Prusa constructs pieces informed by scientific models and unseen phenomena. Across scale and material, the show explores perception, precision and the tension between the intimate and the vast, inviting close looking and slow attention.

7 May – 10 January

This exhibition assembles objects old and new, from video games and pop culture gadgets to robots like the Omnibot 2000, Daruma statuettes and various oracles. Presented as a cabinet of curiosities, it probes beliefs, technological imaginaries and our relationship to progress. The displays offer strategies for dialoguing with the future, showcase artistic works imagining desirable futures and explore possible developments conceived locally. Content is aimed at ages 8 to 108.

Opening : Wednesday, May 6 at 16:00
Curator-led tours (In French) : 9 – 10 May, 14 June

9 – 31 July

Inner Light is a Swiss artistic collective founded by Kim Coussée, Eliott Villars and Gaia Vincensini that works at the intersection of contemporary art, fashion and publishing. Their transdisciplinary practice combines printmaking, textile, sculpture and performance to question the circulation of printed images across unconventional supports. For this project they invited artist Lyna Azwaw to stage an edition inspired by documents and publications found in archives. The presentation includes performances and contributions by Js Donny, Rosalie Dubois and Leandro Russo.

Opening: Thursday 9 July, 20:00 – 22:00

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

5 May – 30 September

Alice Izzo presents Botanic Circus, an immersive installation that transforms natural elements into a poetic visual performance. Through site-specific sculptural forms, coloured assemblies of flowers, plants and fruit become staged protagonists, inviting slow wandering, close observation and tactile interaction. The work blends installation, painted surfaces and ephemeral botanical assemblage to probe nature’s textures, theatricality and human perception. A parallel programme of monthly acrylic painting workshops complements the installation.

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