An open-air summer screening of the season’s production Les Noces de Figaro, presented as a large-screen projection beneath the night sky. The filmed staging preserves the production’s dramatic color and vocal intensity, allowing the orchestra and soloists to shine against cinematic framing. The evening invites a contemplative, communal experience of Mozart’s comedy of manners, where wit and emotion meet in luminous visual staging.
In French.
Celebrating its 43rd edition, AMR Festival gathers a constellation of jazz and improvised-music projects over five days, offering 27 concerts that range from big-band workshops and modern-jazz sessions to intimate improvised sets and family programming. Artists and ensembles explore spontaneity, collective listening and rhythmic invention, with programming that favours interplay and sonic risk. Lighting and sound design shape shifting atmospheres, from hushed, introspective moments to exuberant, groove-driven peaks, transporting listeners through vivid, communal encounters.
British singer-songwriter Amaria BB brings a bold fusion of R&B, dancehall and contemporary pop to the GET OUT project. Her smoky vocals and syncopated rhythms mingle with tightly produced beats, while the evening’s DJs — Spice&Curls, Guessi, Senjadi and Bobby Melo — weave seamless transitions that keep the energy taut and immersive. The program highlights contrasts between introspective balladry and dancefloor-ready grooves, delivered with London grit and a playful, modern edge.
Set during a bitter winter in 1980s Turkey amid a military coup, Kar Korsanlari (Snow Pirates) follows three boys who scavenge for coal to survive the cold. With intimate, observational imagery and restrained yet powerful storytelling, the film contrasts the harsh authority of soldiers with the fragile, playful solidarity of childhood. A quietly political and poetic debut, it exposes the mechanisms of repression while celebrating youthful resilience and small acts of compassion.
Screening, concert on Place du Marché (Dara Macit and Ismail Tumen) et exhibition at bar Vehbi Koca
Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.
In French.
Francis Poulenc’s opera stands as a pillar of 20th-century French lyric theatre. This production places students in the demanding solo roles under the musical direction of Emmanuel Olivier, in a staging inspired by Yves Coudray. The story follows a religious community swept up in the turmoil of the French Revolution, exploring fear, faith and the need for redemption. Intimate choral textures, stark dramatic contrast and a restrained yet intense staging aim to immerse listeners in the women’s communal life and moral trials.
In French.
Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.
In French.
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