Thibaud Agoston offers a frank, intimate stand-up that navigates love, friendship, sexuality and loss through the frame of a recent breakup. In this third and most personal show he mixes sharp observation and self-deprecating humour to transform sadness into laugh-out-loud moments. A leading figure of Swiss stand-up, Agoston brings experience from radio and televised columns and major comedy festivals to a compact, emotionally charged hour on stage.
In French.
An intimate musical tribute that reimagines the songs of Francis Cabrel through acoustic arrangements and thoughtful reinterpretation. The performance blends close-knit ensemble playing with sparse staging to foreground lyrical nuance and emotional resonance. Textures shift between folk intimacy and orchestral warmth, inviting reflection on memory, longing and small-town stories. The production favors subtle dynamics and poetic phrasing, intimately.
In French.
A solitary man ventures through the desert in search of Prometheus, blaming the gods for igniting a consuming fire within each human. This monologue delves into the connections between ancient tragedy and contemporary turmoil, examining desire and existence through the lenses of love and creation, all in pursuit of an illuminating fire that does not consume.
In French.
Brigade financière stages a tense, chamber drama by Hugues Leforestier that confronts the logic of contemporary finance. Under Antony Mettler’s direction, Christian Gregori and Maria Mettral embody a sharp, cerebral duel between a financial crimes commissioner and an accused executive. Christian Gregori also signs scenography and costumes while Florian Cuellar sculpts the lighting. The production blends police-procedural suspense with satirical intelligence, probing power, privilege and the contradictions of today’s economic system.
In French.
Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.
In French.
Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.
Opening : during the Nuit des Bains, Thursday 12 March, 18:00
Closing event : in conversation with Marc-Olivier Wahler, Tuesday 12 May, 18:00-21:00
The concert “Dans le vent des mondes” features Michel Tirabosco on the pan flute along with the Bella Terra Ensemble. With Sophie Tirabosco on guitar and vocals, Michèle Lubicz on the duduk, Nicolas Curti/Ted Beaubrun on percussion, David Perrenoud on bass guitar, Stéphane Mayer on piano, and Giacomo Grandi on cello, this performance offers a musical journey bridging the southern landscapes and vibrant gypsy rhythms.
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